Mike Hay:  

CLASS OF 1965
Mike Hay's Classmates® Profile Photo
Fairview park, OH
Fairview park, OH

Mike's Story

I started in my first band in Cleveland, Ohio back in 1962 (The Islanders) which was composed of a drummer, a sax player, and me playing a $250 Kay electric guitar through a 15 watt amplifier. That cheap amp had some sort of electrical problem and it would just start buzzing. I would keep my foot on the top of the amp, and if it started to buzz, I would rock it back and forth until it would stop. I remember I was walking down the hall in high school and a kid walking in front of me said to his friend next to him, "You know that Mike Hay band?" The other kid said "Yes". Then he said "That's the worst band I've ever heard". It was then that I knew that I could make a name for myself. As a teenager I used to hang out in a folk club in downtown Cleveland called "La Cave". It was there that I met and talked to Gordon Lightfoot and Judy Collins (1965). That wouldn't be possible today. But at the time I was mainly interested in the folk scene, beat poetry, listening to Rock and Roll and practicing my guitar. High school was a place where I could gaze out the window, daydream about life's possibilities, and make metal sculptures in machine shop. After playing in several local bands in the early 60s, in 1964 I formed a group called the "Tree Stumps". This band became very popular and we were booked 6 months in advance at high schools around the Cleveland area, which was really unheard of at the time. But this was great time for us because the songs would come out on the radio (Beatles, Bob Dylan) and we would learn them and be playing them out that same week. No other Cleveland bands were doing that at the time. These were somewhat crazy times when we had girls yelling and screaming at us inside and guys waiting to beat us up outside on the Eastside of Cleveland, on the Westside of Cleveland we were treated much better. At one gig on the East Side a mob of girls chased us down the hallway and into the bathroom. The bass player, Gary, slipped and fell as we were being chased and we didn't know it at the time but he broke his wrist. We went to play on stage after that and a bunch of girls pulled him off the stage. We had to grab his arm, the one with the broken wrist, to pull him back. At one gig we shared the stage with another local Cleveland group called "The Grasshoppers". The bass player in "The Grasshoppers" was Benjamin Orjinkowski (later shortened to Orr), who later went on to form a group called "The Cars". We also played at place called "The Note" along with a group called "The Kingsmen" who had a hit out at the time called Louie, Louie. The "Tree Stumps" were about to sign a record contract but with the draft knocking on my front door and offers from the Marines: "We'll make a man out of you Boy!", to the Army's: "We'll give you your own rifle Boy!", I decided to buy a Gibson J-45 and join the Navy (Sep. 1965) and see the world. My first assignment in the Navy after boot camp was on the USS Talladega, a Marine transport ship. It was there that I used to sing protest songs on the fantail of the ship along with the Marines we were taking to Vietnam. One of the Marines who used to sing along was from San Francisco and used to be in group called the Beau Brummels. I hope he made it back ok. I can't say having a guitar on ship was a popular thing back then because the "Master at Arms" confiscated my guitar which I had laying on my chained up rack. He made me polish lockers the first day we landed in Hawaii after 3 weeks at sea to get it back. Yep, my guitar didn't fit into that 2 foot square locker so it was considered "gear adrift". But that was OK because after I finished polishing lockers, I was able to catch the Bob Dylan concert (1966) in Waikiki. My long time hero was right in front of me, my first concert experience. After that I was playing a constant shell game with the "Master at Arms" hiding my guitar so it wouldn't be confiscated again (Access Battle Dressing was a good place). The "Master at Arms" eventually got what was coming to him though when he came back drunk from liberty in the Philippines, cussed everyone out, fell down the stairs, cracked his head open, and was busted back to a Seaman. I then became friends with the Coreman, who also played guitar, so he would hide my guitar in the closet in the infirmary, which solved my storage problem. We would later play guitars at night take the Methyl alcohol, from the medicine cabinet, add orange juice, and make screw drivers. Yo! The bar is open, no tips required! We did that for a while until he got worried about having to explain where all the alcohol was going. Evaporated I would have said! After that 5 month tour at sea, and back in the good old United States, I was then able to hang out in Long Beach. It was there at a blood bank (Note: When you are only making $70 a month, $5 for your blood seemed like a good deal. In the Navy we called that vampire liberty) that met a bum named Ray, who was the proud owner of cards from 5 different blood banks. It was amazing this guy had any blood left in him! So there we were in this deserted car drinking wine. There was a sign on the car that was at least two weeks old left by the police saying that the car was going to be towed. Not to be too conspicuous we ended up in the only building on the Pike that wasn't torn down with a few gallons of Red Mountain Wine (great bouquet for only $1.10 a gallon), 10 bums and one old hag, singing blues songs all night long. In the morning we were all threatened to be killed with a butcher knife (jealousy over the old hag I think). Yep one of the bums came out of the kitchen with a butcher knife and said he was going to kill us all. But then he looked at me and said "You're ok so you can go". As I went to stand up the bum sitting next to me grabbed my arm sitting me back down saying, "No, he's going to stay here and die with us". So I sat back down waiting to see what was going to happen next. All the time this was happening the old hag keeps repeating "Don't worr...Expand for more
y, he never does what he say he's going to do!". I was thinking "It might not be good to be saying that right now". It was then that the guy with the butcher knife said "Well I not going to kill all of you, but I'm going to blow up the TV set". He then went behind the TV and proceded to pull these wires right out of it. After the TV went dead we all decided to split. I ended up writing a song about that incident which ended up on the "Spring Wheel" album (Spring Wheel: Hey Ray, 1973). After the Talladega I went to electronics school on Treasure Island (San Francisco, CA) in 1966. While in San Francisco I would go to the Avalon Ballroom on Broadway and catch Janis Joplin, The Grateful Dead and other great San Francisco bands. I was also playing my guitar on street corners and in a couple of folk clubs (Coffee and Confusion, where I met Hoyt Axton, and Cedar Alley, where I met Mike Hunt). After attending electronics school I was assigned to a communications site in Kamiseya, Japan. While in Japan I started a band and also played in several folk clubs in Shinjuku, the Greenwich Village part of Tokyo. This didn't last long though because for my last year in the Navy (1969) I was assigned to Navy Special Forces (Beach Jumper Unit 1). The first 6 months in Beach Jumpers were spent either going to survival training on Coronado Island (in preparation for deployment to Vietnam) or at Mission Beach playing my guitar on the beach or at the local folk club (Tom Waite's old hangout). I was then flown from Coronado to Okinawa and then to Danang, Vietnam. I was on detachment "Charlie" in Vietnam for a month (normally detachments would not be longer that 2 months for Special Forces) and I really missed my Gibson guitar which I had left back in Okinawa so I sent a message, "If you send me my guitar, I will stay here another 5 months". Which they did! I then spent the following 5 months on detachment "Charlie". I was set to break the record for time out on detachment, that is me and another guy, who was trying to outdo me. I spent my spare time playing my guitar, and he spent his spare time sharpening his Ka-bar and giving himself little cuts on his arm to show me how sharp it was. Sometimes, when he was bored with his own arm, he would reach over and cut mine and say "See how sharp this is?" I had to agree, "Yep, pretty damn sharp I would say". Interesting and fun guy he was and fortunately he was sent back to Okinawa before me. I keep thinking maybe I will see him again and look out for him on that popular TV show, "Lockup, Extended Stay". On the 16th of Feb. I received word that one of my buddies was killed. A rocket came into his camp and blew his feet off. After the 1st rocket, a second one came in and hit the gasoline tank he was next to and set him on fire. In the end there was nothing left of him to show he was ever there at all. On the 12th of March another buddy was found floating in the Mekong Delta. That was when I wrote my first song, "Time Goes Too Fast". Recently I wrote another song about the ammo dump explosion at China Beach. This song will be the title song for my next CD (Here at China Beach). Now that I have distance, I am starting to write as memories bubble to the surface. Call it musical theropy! I was out of the service in Sep. of 1969 and within 6 months back in Cleveland joined a group called "The Hobbit". After a year in "The Hobbit" I joined a recording group called "Flash". Flash was made up of the remnants of a group called Audi Badoo which had my old Tree Stump buddies in it, Ron and Russ Jankowski. We were writing and recording songs at Agency Recording, which was located above The Agora Ballroom in downtown Cleveland. We were set to be signed by Scepter Records when their main artist, Dion Warwick, decided to quit their label and put them in a scramble to release her greatest hits album. That left our contract in the dust along with our chances to appear on the Merve Griffin show which was also in the works. After Flash I got together with my old Tree Stump buddy again, Ron Jankowski, and we formed a group called Spring Wheel with the intention of landing a record contract. Within a year we had a recording contract with Charlie Greene (who had produced Buffalo Springfield) and ended up with a 45 (Always in All Ways) and LP (Spring Wheel) release in 74'. The record didn't do to bad (we made the Bill Gavin report for suggested plays) but in the end the distribution was late. The radio stations were playing our songs, but the records were not available to buy at the record stores. By the time the records arrived a few months later we were off the air. Timing is everything in the music business! We did however get to play the Agora Ballroom circuit once opening for Andy Pratt and other times as the only band playing the whole night (2000 people venue). During that time I also had one of my songs (Say It's Alright) picked up by a local artist, Brian Davies, and recorded at Cleveland Recording Studio, recording engineer Ken Hammond (engineer for the "Grand Funk Railroad") and was released on a 45 (Wooden Horses Label). That would be the first time I put a slide guitar part on a record which was really done as an after thought. After Spring Wheel I formed a group called "The Stone River Band" which was when I picked up the pedal steel guitar. In that group was Loren Schulte who was my wife's brother in law. That group survived for seven years and I then joined a group called "Sweet Poison" where I concentrated on playing the pedal steel guitar. This was at the height of the country rock era. Now in Colorado I was in a group called "Rush to Judgement" and we played several gigs around town. I have written all the songs and recorded my 1st CD which was titled "Driving to LA" in 2005, and I am currently working on two more CDs. One would be considered folk (all acoustic) and the other more folk rock. Currently I'm content working on my next to CDs and performing at open mike's.
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Photos

Mike Hay's Classmates profile album
Mike Hay's Classmates profile album
Playing at the "Live Livery Fest" in Colorado
Treasure Island, San Francisco, CA 1966
Mike Hay  "2006"
"The Mike Hay Combo" (1964)
Chipewwa Lake Park (1964)
American Legion Hall (1964)
China Beach, Vietnam (April, 1969)
TreeStumps Battle of Bands
"The Islanders"
Annie, Sandy & Elliott Hay, Ireland
Mike and Sandy Hay (70's)
"The Stone River Band"
B. Misare, Tommy Roe, Mike Hay
CD Cover for "Driving to LA" (2005)
Commerce City, Co (2006)
"The Stone River Band" at Peabody's
"The TreeStumps"
"Hobbitt" w/Don Farmer
Mike Hay's album, Timeline Photos
Mike Hay's album, Timeline Photos
Mike Hay's album, Timeline Photos
Mike Hay's album, Timeline Photos
Mike Hay's album, Timeline Photos
Back at the office! PFChangs...,.,
Mike Hay's album, Timeline Photos
Mike Hay's album, Timeline Photos
Mike Hay's album, Timeline Photos
Party time!
Mike Hay's album, Timeline Photos
Load in for the gig in Cheyenne, WY!
Cool, Bag of dirt, $12.
Cleaned up the workshop.
The setup!
Mike Hay's album, Eddy Rosswell and Friends
Getting ready to record an original song and video at DakotaDog Records!
Mike Hay's album, Timeline Photos
Jammin with Mumbling Blues at The Tailgate Tavern in Parker, CO.
Buddies!
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