David Brown:  

CLASS OF 1966
David Brown's Classmates® Profile Photo
Springfield, MO

David's Story

Mizzou then ten years in the Army. A year of medical trng in San Francisco (68-69) and then Viet Nam tours as a combat medic with 1st/14th Infantry and was there for the Cambodia invasions of May, 1970. Oddly enough, my wife was at Kent State protesting the invasion and just about got shot on May 4. Then I was at Ft Benning's Martin Army Hospital. My son was born there and plenty of combat vets to soak up the mixed emotions we all carried like bombs. I transferred to Nurnberg, Germany and the 130th Station Hospital. It felt good to be out of the states as the recoil from the war was getting heavier and most U S civilians just wanted to forget what I couldn't. Rachel and Aaron, learned to speak German likes natives and living in the spiritual heart of Nazism made us all think deeply about Viet Nam and our war in a new way. But our army was falling apart before my eyes. Lots of drugees and the rest of us drank too much. I was a good soldier and decorated combat vet but could not stand to watch the army break down. So I decided to go to poetry school and my wife thought I was crazy and divorced me. I was crazy but poetry school saved my psyche. Then ten years in California--grad school and life in the SF Bay Area. I lived in the Haight-Ashbury and attended San Francisco State and its Poetry Center. Earned an MA in Poetry and Comparative Lit. Ron Crabtree lived in Palo Alto, just south of SF, and I saw him frequently. He took the portrait of me that is on my first book of poems, Returning Fire, it was a big hit and I was active in the Vets movement there and read poetry frequently in cafes and bars. I loved the vets' community and literary scene but it is too expensive in California for a poet, so I took a job in Texas (89). And now twenty-one years in Houston teaching and writing poetry, obituaries, and essays mostly about war, Viet Nam and life in the last half of the 20th century. I am married to an artist from central Missouri for twenty years. She works in clay and encaustic. You can find some of my work and photos on 1-14th.com or google D F brown poetry. Or go to Texas Tech University press and order Unaccustomed Mercy or Carrying the Darkness, anthologies that contain about a third of my first book. For my time in Texas I have worked on school reform and writing curriculum. For ten years I was the educational director for a non profit, FotoFest, and trained teachers in a photo writing curriculum I developed with Wendy Ewald. When Mr. Wetzel passed away in 99 I felt like I owed public schools so much I went in to 7th grade classroom at 51. now,I teach lit and writing to high school freshmen at an early college and they keep me busy. And they remind me of my own h s days. This part never seems to change! I have three children and six grandchildren, two (Aaron's kids Clara and Diego)live three blocks away and keep me busy buying jelly beans. Rachel lives in south Florida with her son Tim, and Elizabeth is married to an Air Force guy and they are all over. Just now in California with Paul, Andrew and Sophia. I miss the Ozark hills and once a year float the Jack's Fork and visit my wife's family farm south of Boonville. I visited Spfd regularly when Bill Wetzel was alive and miss him sorely to this day. I see Jim McMillen from time to time and wonder from time to time what has gone by for the rest of the class of 66. Hope you are well and thankful to be so. I am also working on pulling my three books of poetry together for a Connected War Poems of DF Brown. It takes so much energy to drag that monster out and do the dance again. Always felt the war was between me and really going home to the Ozarks. Bill Wetzel made it easier to visit, but he has been gone ten years. Hard for me to believe, have lost Crabtree, Newberry, Ashcroft, plus many guys from the war and post war. So I look for connection in those hills. David Brown Mar 21 2010 I have to believe poetry will save the world, what is the other word? Spent the morn preparing to return to school tomorrow and teach a five week unit on poetry, called Modern LyricPoetry in a Multicultural Society. As I reworked my lessons I thought about the manuscript I built last week, 81 pages of pain called The Connected War Poems of D.F. Brown, that I hope gets published in this coming year. That experience energizes my lessons. I teach my students to recognize and operate poetic mechanisms and literary techniques they will need in college. I also teach them what I learned last week from my own poems: that part of my technique and style comes from what I learned in Bayless' salvage yard. Reclaiming old parts cleaning and repairing an old motor to run and a new motor to run faster. Automotive vocabulary h...Expand for more
as shown in several of my important poems. There is a little one for Bayless in my string here. I was thinking of how I must teach my students that poetry is news that stays news, that it dances between conversation and music, it is unavoidable connections, and a report card for the world, and all of this all at once. I teach them the discipline required to come back to a place every day and write a poem, no matter if it is not the best, it is here committed to here.I have been at poetry seriously for 31 years. I wrote then to survive and articulate an understanding of my experiences as a combat medic and then to comprehend and record the profound changes in culture in the last 50 years of the 20th century and how could the country I love create something as horrifically bad as the war in VN. We are the children of WWII, boomers, and expect it all to go boom! And I as I surveyed those fifty years, I could see a shift from rural America to urban and industrialized America, a shift in values that liberated some and restrained others as we moved through a culture of widgets into services and techno culture and now we live in a culture of appearances, we watch ourselves watching. Why is that? The things I care most about have not done well under this regimen. Small farms are disappearing and almost gone. My grandfather Myers (photo to right)spent most of his life on a horse, never learned to drive, fished to his heart's content but in less than 100 years that life style has disappered. And we call it progress! Corporate values run the biggest stock market casino going that shakes and strains to control economy, my wallet. Certainly not very poetic, when our very nature is poetic. I want my poems to reinforce the authentic and local. Folks in small groups hanging on to a human scale. A practial scale. I want my contributions to this site to function as a net cast on a sea of old friends and bring them together in a remembered place to break bread and recall how we learned what we have become. Now that is poetic! For a good while I believed I had gone a long way and time from Spfd but now I can see quite clearly that every inch I traveled Missouri was with me. The hills of my heart, the hollows of my soul, the clear rivers of my thoughts are Ozarks bred and the best things about me. That and a couple of wrenches from Bayless Auto Salvage, a couple of sweet girls and my dear old friends. April 18, 2010 The new poetry manuscript is together 73 poems longest 19 pages then 8 pages sseveral four pagers and threes and twos and I have sent it off to editors who have published or written about my work. I hope they can check the sequence of poems and we can have it ready for publications by July 1. right now I call it The Other Half of Everything, The Connected War Poems of D.F. Brown and have all the poems that are any good in it, I think parts of my productivity in the last months has been around filling in the blanks and several of the new poems found home therein. Our spring/summer garden in in and I have pea sized tomatis, the okra, cucumbers and string beans have sprouted. Also a ton of pink roses this year and clumps of purple bearded iris. This is the best time in Houston. In summer this town thinks it is a wok and tomatoes don't make and the garden bakes. 052210 Write now it all seems refractory to the end of classes yesterday. Relief edges out weary and except for some finals to grade next week I have made my 11th year in the classroom complete. I went there when Bill Wetzel passed, feeling that I had an obligation to continue the things he taught me and ideas about literature I hade devloped from my experiences. Lately I have come to realize I also owe Ms.Backlund for my basic sense of writing as I had her class for three years and feel an obligation to continue her dedication to good writing. I was lucky to be where I was in the 60's. So many great teachers and friends helped me lay the groundwork to the poet I have become. I think McMillan and Crabtree loom largest in this landscape. We began trading ideas about writing as early as Reed and McMillan gave me a book I still own called Henry Miller On Writing and I know we talked many of his ideas through the years. And Ronnie, oh I miss him, in his fierce determination for honesty and little patience for foolishness I was tested again and again to hone my skills and search for an honest eloquence in his honor. Ronnie chided empty rhetorical flourishes and taunted the pompus phrase. Direct pointing was his editorial approach and I think part of that grew from his time as a photographer. Head on and straight up!So it is to and for them I close #11, and they will be missed this July when we gather for reunion.
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Photos

hound of love
Paris  rooftop restaurant
Doc Brown March, 1970
Phil Visits David in Houston
Clara and Diego in the sprinkler
Floating the Buffalo River, AR, 2004
San Francisco, 1986
010_10
David in Greece in 1986
Suzy on our farm
Binh Dinh, 1969
Dad, Rachel and Aaron, two of my kids
David and Suzy
1966
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