Jaime Palacio:
CLASS OF 1983
Irvine High SchoolClass of 1983
Irvine, CA
California State UniversityClass of 1998
Fullerton, CA
Jaime's Story
Life
JAIMES PALACIO'S ALMOST TOTALLY FAKE BIO
He was born in a television box by the river Thames.His mother's pregnancy was rather difficult as she was screaming isotopes and pausing for commercial breaks. It was feared he would grow up to be a circus performer like his late father.
(He wasn't dead, just late-he was expected around supper time but a telegram arrived shortly informing the general public that J.P. Sr.had run away from the circus to become a banker. )
At an early age Jaimes learned to willfully disobey people who were taller than he. Was there any doubt he would become a poet? Well, yes there was. Quite a bit of it. Shouted loudly by the neighbors in the flat above and the policemen often seen escorting Jaimes home for one civil disobedience or another.
For a time Jaimes listened to the skeptics and became a habitual, professional liar, a door-to-door juggler and a telemarketer for Krishna. Yet, it wasn't until he bumped into the actor Peter O'Toole at a party in Dorchester that his true calling became apparent.
Lately he has been DJing weddings and parties and has decided, at nearly 40, to finally pursue his first love: acting,
in earnest.
Before he REALLY becomes old. Or dies.
School
LOUD
My laugh is a three ring circus, an M.C. dressed in startlingm mirrors, an audience of pinwheel hats.
My laugh was last seen on a parapet at the top
Of the leaning tower of pisa flinging paper airplaines-
the kind that loop-de-loop.
Arrested enflagrante whistling the ten commandments,
My laugh is a direct descendent
of my mouth which has a ferociously annoying habit
of attracting my foot at inopurtune moments.
My teeth lean on each other like small, chipped, Tombstones marking the inner children buried under the vast undulating
prairie of my tongue.
My tongue likes the theatre. Believes in the poisoned apples
of happy endings that may never come.
Is an inept acrobat spouting non-sequiters about rainforrests
and inane trivia about celebrities.
All of this emanating from a face strangely constructed
for speed.
Bulit to break the sound barrier.
To send howler monkeys into space.
To recklessly richochet and wound like stray gunfire. To sing
show tunes.
Loud.
Always too darn loud for the room.
Writing to skeletons. Writing itself out
on a vast dessert, in traffic without a radio, watching the rich
kiss as if they were big screen televisions threatening
to implode. All the while suspecting the trepiditious stumble of becoming a footnote in some elses biography.
By way of explanation, screaming for all those biafran babies.
And the rainforests.
And howler monkeys
floating in space.
And the spotlight creeping incrementally out
of frame.
College
NO GUNS FOR THE MONKEY (poem based on a dream)
The apocalyptic band is playing and
that purple monkey is swinging
like a restless tornado. Spinning and spinning
remorselessly. A small path of destruction
in his wake. Strangely, I have a recollection of this
scene but with Irene Cara in a backroom timidly showing
herself to the camera.
We will do almost anything for fame. Or so...Expand for more
ghosts
in the night seem to say. After the usual
appearances of belligerent sharks and inevitable
insects is a cameo from Ms. Diana Ross, who attempts
to teach me how to sing just before
the buzzer brings round three.
Reality.
Heavy sigh.
I have decided I dont want to die
just now.
Despite the band changing keys
to a horrendous siren as the monkey pulls
out a 22.
Despite the destruction of Irene
Caras career. Ms. Diana boozing it up with a pair
of disco-loving Iguanas.
Despite, well, nearly everything.
The monkey aims but I am bullet proof.
The Iguanas ask for my I.D. but they know my name.
The universe yawns like an endless cave.
I go on.
Nearly indestructible.
Seeking the brightest star to call
my own.
Workplace
THINKING OF GIRLS AND STUFF WHILE CHANNELING MICHAEL ROBERTS
Suicidal Catholics get married his tongue turns dyslexic as the mariachis play Ceilito Lindo or something like it
turns a wife into a girlfriend and dollars into silver hes sorry in this keystone-cop comedy but hes got
Merengue on the boil and Cumbias are the Hip Hop of Mexico the moon sends crumbs to earth to make cameos
in the next inevitable short-lived romance already surrounded by beauty he cant ever touch meanwhile poet
Michael Roberts is on stage making all the right women swoon he remembers recently the celebrity telling him
Fame is not everything maybe she is right he still plans to kill himself in a novel but make it funny if only the
mirror will allow him time he remembers the small fist of girls he said no to the ones that said no to him it is
always something maybe his age maybe his shoes it is always something maybe distance maybe the moon miss-sending
crumbs is what he often feels he gets these days the mariachi play Celito Lindo or something like it
his dyslexic tongue betrays him surrounded by beauty he cant touch he stammers misrepresents his thoughts
are wild geese waiting to be shot down he remembers every time his broken wings in flames it is always
something maybe his age maybe his shoes maybe he is shallow he remembers the small fist going down in flames
crumbs for the moon the list of things he distrusts grows incrementally but surely like buildings in Orange
Groves his blood feels like sunken treasure rusting away maybe his body has become poisonous like the news
on his television set he doesnt want to hear about the beautiful dying in some ways everyone is beautiful by
connection everyone is dying this he cant put into a novel cant make funny even unintentionally surrounded
by dying beauty too much dying beauty too much dying the moon spotlighting yet another fickle
attraction he knows he is high maintance a flashy dented thing without an engine longing for the road he has
plenty of pretty faces in the rearview to look on in fondness it is always something surrounded by beauty he
cant touch only write about in third person disguising the longing in awkward hats understands the hardest
thing about writing is getting over the ME ME ME
- Jaimes Palacio
Wed. May 19, 2004
Register for Free to view all details!
Yearbooks
Reunions
Register for Free to view all events!
Photos
Register for Free to view all photos!