Jaime Palacio:  

CLASS OF 1983
Jaime Palacio's Classmates® Profile Photo
Irvine High SchoolClass of 1983
Irvine, CA
Fullerton, CA

Jaime's Story

Life JAIMES PALACIO'S ALMOST TOTALLY FAKE BIO He was born in a television box by the river Thames.His mother's pregnancy was rather difficult as she was screaming isotopes and pausing for commercial breaks. It was feared he would grow up to be a circus performer like his late father. (He wasn't dead, just late-he was expected around supper time but a telegram arrived shortly informing the general public that J.P. Sr.had run away from the circus to become a banker. ) At an early age Jaimes learned to willfully disobey people who were taller than he. Was there any doubt he would become a poet? Well, yes there was. Quite a bit of it. Shouted loudly by the neighbors in the flat above and the policemen often seen escorting Jaimes home for one civil disobedience or another. For a time Jaimes listened to the skeptics and became a habitual, professional liar, a door-to-door juggler and a telemarketer for Krishna. Yet, it wasn't until he bumped into the actor Peter O'Toole at a party in Dorchester that his true calling became apparent. Lately he has been DJing weddings and parties and has decided, at nearly 40, to finally pursue his first love: acting, in earnest. Before he REALLY becomes old. Or dies. School LOUD My laugh is a three ring circus, an M.C. dressed in startlingm mirrors, an audience of pinwheel hats. My laugh was last seen on a parapet at the top Of the leaning tower of pisa flinging paper airplaines- the kind that loop-de-loop. Arrested enflagrante whistling the ten commandments, My laugh is a direct descendent of my mouth which has a ferociously annoying habit of attracting my foot at inopurtune moments. My teeth lean on each other like small, chipped, Tombstones marking the inner children buried under the vast undulating prairie of my tongue. My tongue likes the theatre. Believes in the poisoned apples of happy endings that may never come. Is an inept acrobat spouting non-sequiters about rainforrests and inane trivia about celebrities. All of this emanating from a face strangely constructed for speed. Bulit to break the sound barrier. To send howler monkeys into space. To recklessly richochet and wound like stray gunfire. To sing show tunes. Loud. Always too darn loud for the room. Writing to skeletons. Writing itself out on a vast dessert, in traffic without a radio, watching the rich kiss as if they were big screen televisions threatening to implode. All the while suspecting the trepiditious stumble of becoming a footnote in some else’s biography. By way of explanation, screaming for all those biafran babies. And the rainforests. And howler monkeys floating in space. And the spotlight creeping incrementally out of frame. College NO GUNS FOR THE MONKEY (poem based on a dream) The apocalyptic band is playing and that purple monkey is swinging like a restless tornado. Spinning and spinning remorselessly. A small path of destruction in his wake. Strangely, I have a recollection of this scene but with Irene Cara in a backroom timidly showing herself to the camera. We will do almost anything for fame. Or so...Expand for more
ghosts in the night seem to say. After the usual appearances of belligerent sharks and inevitable insects is a cameo from Ms. Diana Ross, who attempts to teach me how to sing just before the buzzer brings round three. Reality. Heavy sigh. I have decided I don’t want to die just now. Despite the band changing keys to a horrendous siren as the monkey pulls out a 22. Despite the destruction of Irene Cara’s career. Ms. Diana boozing it up with a pair of disco-loving Iguanas. Despite, well, nearly everything. The monkey aims but I am bullet proof. The Iguanas ask for my I.D. but they know my name. The universe yawns like an endless cave. I go on. Nearly indestructible. Seeking the brightest star to call my own. Workplace THINKING OF GIRLS AND STUFF WHILE CHANNELING MICHAEL ROBERTS Suicidal Catholics get married his tongue turns dyslexic as the mariachi’s play Ceilito Lindo or something like it turns a wife into a girlfriend and dollars into silver he’s sorry in this keystone-cop comedy but he’s got Merengue on the boil and Cumbias are the Hip Hop of Mexico the moon sends crumbs to earth to make cameos in the next inevitable short-lived romance already surrounded by beauty he can’t ever touch meanwhile poet Michael Roberts is on stage making all the right women swoon he remembers recently the celebrity telling him “Fame is not everything” maybe she is right he still plans to kill himself in a novel but make it funny if only the mirror will allow him time he remembers the small fist of girls he said “no” to the ones that said “no” to him it is always something maybe his age maybe his shoes it is always something maybe distance maybe the moon miss-sending crumbs is what he often feels he gets these days the mariachi play Celito Lindo or something like it his dyslexic tongue betrays him surrounded by beauty he can’t touch he stammers misrepresents his thoughts are wild geese waiting to be shot down he remembers every time his broken wings in flames it is always something maybe his age maybe his shoes maybe he is shallow he remembers the small fist going down in flames crumbs for the moon the list of things he distrusts grows incrementally but surely like buildings in Orange Groves his blood feels like sunken treasure rusting away maybe his body has become poisonous like the news on his television set he doesn’t want to hear about the beautiful dying in some ways everyone is beautiful by connection everyone is dying this he can’t put into a novel can’t make funny even unintentionally surrounded by dying beauty too much dying beauty too much dying the moon spotlighting yet another fickle attraction he knows he is high maintance a flashy dented thing without an engine longing for the road he has plenty of pretty faces in the rearview to look on in fondness it is always something surrounded by beauty he can’t touch only write about in third person disguising the longing in awkward hats understands the hardest thing about writing is getting over the ME ME ME - Jaimes Palacio Wed. May 19, 2004
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Photos

My Head On A Stick
New Voices 2006
New Voices
Poetry Feature at the Alta Coffeehouse
Bad Hair Day
Jaime Palacio's Classmates profile album
Jaime Palacio's Classmates profile album
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, PERSONAL FOLDER
Jaime Palacio's album, Profile Pictures
Jaime Palacio's album, Profile Pictures
Jaime Palacio's album, Profile Pictures
Jaime Palacio's album, Profile Pictures
Jaime Palacio's album, Profile Pictures
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