Jeffrey Lutes:  

CLASS OF 1973
Jeffrey Lutes's Classmates® Profile Photo
Pompano beach, FL
Deerfield beach, FL
Napoleon, OH

Jeffrey's Story

Jeffrey Lutes, Director Clear Soul Productions British Progressive Psychedelic Art Rock ORCHESTRAL ROCK Tributes to the BRITISH "ART ROCK" BANDS! SUCH AS Pink Floyd, Yes, The Moody Blues, King Crimson, ELP, Jethro Tull, Procol Harum, etc. . . . . . . THE CLEAR SOUL PRODUCTIONS STORY CLEAR SOUL PRODUCTIONS. . . PIPERS WAITING AT DAWN'S GATE by Kathryn Hoffman Baley ( 22 September 99 ) Once in a while one stumbles across an enchanting place where the senses are stimulated and the subconscious is teased into submission. Sometimes the internet can be the catalyst for this type of adventure, and what one finds is an oasis for the mind to take pause and listen to a piper sweetly luring one to take a peek at what is beyond. Several months ago, I found such a place. A sweet site dedicated to the preservation of the great Art Rock Bands of the early 1970's, and the man whose vision it is to continue the legacy into a new age of music. JEFFREY LUTES is the man whose SOUL is CLEAR SOUL PRODUCTIONS, and it is through his eyes this tale is told. I have had several conversations with Jeffrey over the past few weeks, and what became apparent were his humility and passion. If antiquity of the Soul is the fountain of youth, then Jeffrey encountered his eternal light when he found his first instrument. Gentle genius sometimes is sleeping, but Jeffrey arouses his by foregoing ego for art and allowing the artistry to be the epitome of his energy. In an age when music has become a money pit and has the shelf life of a MTV video, Jeffrey and CLEAR SOUL PRODUCTIONS are the pied pipers politely waiting at the gates of a new dawn. My interest in reviewing Jeffrey was that he symbolized the frustration that many artists feel today about the direction of popular music, and how he and the CLEAR SOUL team do not compromise their vision for a regurgitated version of their dream. Most of us never listen when the piper beckons us, because we have forgotten how to dream. Sometimes though, a gentle breeze blows into our minds and awakens the visions that dwell beneath our reality. True artists allow their dreams to become the extension of their inner selves, and they boldly wear this spirit upon their sleeves. JEFFREY LUTES and his aptly named troupe of artisans, CLEAR SOUL PRODUCTIONS, clearly remind us that we should listen when the piper plays his tune. Jeffrey had the courage to pursue a vision without compromising his ethics or diluting his dream. After all..the soul of ROCK and ROLL is its vision... What is the concept of CLEAR SOUL and how did it get started? Jeffrey: The heart of Clear Soul Productions, centers on a dozen or so British "Art Rock" bands, that began in the mid to late '60s. Many of which are still recording and touring. Such as The Moody Blues, Pink Floyd, Yes, Jethro Tull, ELP, King Crimson, Procol Harum, and so on. We plan on producing a series of Orchestral-Rock-Opera Tributes to these bands. We've already done two shows here at the Lyric Theatre in Stuart, Florida. And the plan is to eventually tour the shows around. I myself am a musician and song writer. I've been in bands since '67. And I truly feel that I've learned more about music and lyrics from these artists, than any other source. And I've studied all forms of music. Hell... for that matter, I'd have to say I've learned a lot about life, all the way round. Somehow, the people writing the lyrics to this music seem to be keen observers of the world, and it's relation to nature. As to how Clear Soul started; I was disillusioned with the music business as a musician at the beginning of the '9Os. Very depressed indeed. I needed to start something I could be involved with that would help me feel alive again. So one evening in '91, I sat down with a pen, and a large pad of paper... and just planned out the whole thing. Including our main project, which is called "The Divine Subconscious A Special Rock-Opera featuring the music of Pink Floyd, Roger Waters, and Syd Barrett "It was logical to plan this show first, because I had been out on every Floyd tour from '72 to'94. I made some good friends with some people that have worked on the tours over the years. And I learned a lot there too! Now I want to transform what I learned into something unique. And I am! What is the most difficult challenge you have faced there? I'd have to say that would be the general ignorance of some of people who happen to be in the Board of Directors of a couple of the South Florida theaters... I'm sorry to say. Many of those people are involved with some of the symphony orchestras I'm trying to work with. And there seems to be a lot of pseudo-snobbery with some of those board members. It's unbelievable, how much energy I've had to spend, just trying to get a little cooperation and backing from these people. And many of these board members are car lot owners and such, who know nothing about show business! But they like to be in these theater boards, because it makes them feel like they themselves are stars! This overblown ego crap from them, has really slowed our progress with these projects. Just unbelievable! Other than that, keeping the general financing of these projects going, is quite a challenge too. But anything worth while always seems to be quite a challenge... doesn't it? What would you like to see added? Well, I want Clear Soul to be like infinity. I want to keep adding everything from ancient chants, to classical music, to '40s big band music, to rock music, to very futuristic sounds. And I want our audience to experience all of this in one night! I need it all to keep my mind happy! HA! HA! HA! A lot will be added along the way. And it will all be centered around British Art-Rock and some American Art Rockers too. These are the people who blew the doors wide open for us. What direction do you see CLEAR SOUL taking for the coming millennium? The main goal for Clear Soul in the coming millennium, is to scout for more young up and coming new original Art Rock bands and music writers. We already have a roster of these types now. And we want to promote them. I myself have a back log of about 20 years of original music and lyrics I need to record and promote. And I'm writing and creating all the time. But I want Clear Soul to promote as many artists as it can, who are truly trying with all they've got, to use their minds and imaginations. Clear Soul is about expanding minds. It's not about making me look special, in particular! It's about expanding EVERYTHING! And we DO like some beautiful simple things too! We want that range, from the very simple, to the very complex. What is next? Well, a couple things that are coming next, I can't really talk about, publicly, yet. But we'll be talking about that very soon. We've already produced a Pink Floyd theater show and a mind blowing Frank Zappa theater show. And I can tell you some of the things that are coming next. Like our Art Rock variety act, called "The Wild Elephants! Art Rock Review and Preview" which will feature music from most of the British Art Rock bands, some American Art Rock, and other crazy stuff. "Wild Elephants!" is meant to be our Clear Soul house band. Kind of like The Alan Parsons Project or King Crimson, where the musicians in the band keep revolving. That way I don't get stuck performing with the same musicians all the time! HA! HA! HA! And sometimes Wild Elephants! Can be ...Expand for more
three members, or eleven members, or even just me, as a one man band. Being that I can play more than one instrument. But most of the time, Wild Elephants! will have at least three musicians in the band. If you could "hand pick" artists to perform with you, who would they be and why? (A CLEAR SOUL ALL STAR BAND) If I could put an all star band together, I'd probably have Justin Hayward, Jon Anderson, Greg Lake, Kate Bush, Tori Amos, Aretha Franklin, and me on vocals. Dave Gilmour, Jeff Beck, and Steve Howe playing lead guitars. Rick Wakeman, Rick Wright, Mike Pinder, and Keith Emerson on keyboards. Chris Squire, Greg Lake, Jack Bruce and me on bass and rhythm guitars. Four drummers that would include Alan white, Carl Palmer, Graeme Edge, and Nick Mason. And I'd have The London Philharmonic Orchestra behind us! Why? Because I'd truly be in Heaven if I could pull that off! HA! HA! HA! How did you get your start in the business? When I was 3 years old, in '58, I became sort of obsessed with radio, records, anything that had music coming out of it. And that obsession never ended.. There were a couple of old acoustic guitars sitting in the corner at my parent's house at that time. Even though no one played them. I think one or both of my parents intended to learn the guitar, but just never got around to doing it. But I was fascinated just looking at them. I'd flick my fingers on the strings. Plus l got a Mickey Mouse guitar as a gift that year. I used to try to play it rocking around like I was Elvis. Very near that time, I began listening to the radio as I fell asleep at night. And I would have dreams that I was.. like an adult on stage rocking in front of an audience. Then in '64, The Beatles played on American TV, and blew people away. Including me. Our whole neighborhood tuned in. As did much of America. There was a lot of hype going round everywhere about this great new British band that was about to premier on TV. Right then, I new I just had to be a musician. I kept nagging my parents that I had to have a decent guitar. Before '67 my grandfather paid for one for me. My parents paid for several lessons that I took from a neighborhood guitar hero. And before the end of '67, I was in a rinky dink band doing gigs at our school. And we won a few trophies in some talent contests. Guitarist Russell Clopton, who was in that little band with me, I believe has played gigs nearly every week since then! But that's where it started. If you could thank one person for being an inspiration to you, who would it be and why? That's real hard to answer. As I said before, just about any one of the so-called Art-Rockers. But in an attempt to answer your question... Jon Anderson of Yes amazes me just about more than any musical person I've ever observed. I met him briefly. Twice on business. However, if I was forced to name one inspiration... I think I'd have to say it's Roger Waters of Pink Floyd. I say that because the odds of him making it the way he did, with the Floyd... were very severely and harshly against him. And it was his force that drove the Floyd to great success. Along with the unique playing of the other three in the band. Even in the face of seeing one of his very best friends, and first leader of the Floyd, Syd Barrett, succumb to mental illness and drugs. Right as the Floyd were gaining some success for the first time. To me, that's one the saddest things I've seen. You have to look at your own best friend, and imagine that kind of burn out happening to her or him.. to even begin to relate to that, in the true since of the feeling.. But it would have been the death of the band if they had to stop the momentum they had started at that time. That would have been it, for them! I know how cruel the music business can be. And no one would have given a damn. Waters also inspires me because he's never been a great musician... he was probably the weakest, musician-wise, in the band. But he used his inventiveness, great powers of observation, and his wonderful imagination... to over ride those problems. What has been your best moment on stage? Your worst? My best moment was a gig at a big festival in North West Ohio in '79, in a band called Scatter. The festival was called The Mind Bender They used to have it every year. Not sure if they still do. It was around the anniversary Jimi Hendix's death. We played 50 percent Hendrix covers, and 50 percent original material that I still love to play. The audience went nuts over all of it. It was one of those magical gigs, that just seemed to flow without effort. Everything worked just right. Did some great theater gigs before that, that were memorable too. My worst moment on stage was a Halloween gig we did in '74, I think. It was on a horse ranch in South Florida, near Ft Lauderdale. The stage they built out there slanted toward the audience, so we had equipment sliding that way. We had to keep grabbing it before it slid off the stage, as we played. The place was packed. There was a lot of strong LSD going around, and most everyone there was tripping on it, including us on stage. Then trucks full of big red-necks pulled up out of nowhere. First the red-necks acted like they were jamming with the audience. Then they just started beating the hell out of everyone. We were playing one of our wild free form jams. And I leaned over to Russ, our guitarist, my fingers still flying all over my bass guitar, and yelled in his ear, "Hey Russ! Shouldn't we stop playing?! Either I'm hallucinating very severely, or the audience is beating the hell out of each other!!!!! " And Russ, still playing these wild blaring lead riffs, just calmly looked me in the eye and yelled, "No... just keep playing Jeff. They might as well kill each other to music!!" And we did keep playing the jam for about 20 minutes! By the time we finished the jam, we walked down into what was left of the audience. The red-necks and their trucks were gone. So was most of the audience. And the people who were left were lying around on the ground beat up and moaning! What a nightmare! And everyone was too zonked to realize the severity of what happened, until it was over. And that was really the only real terrible experience I've had on stage. What is your Rock & Roll fantasy? (Musically speaking of course!) Well I have sort of fantasized about having Roger Waters produce an album of my original material. I just love his production style. Oh well. THE FINAL WORD. I asked Jeffrey about his project, THE DIVINE SUBCONSCIOUS, and when we may expect to see his vision manifest on stage. His reply was the following: The Divine Subconscious show date has been delayed for about the fifth time! (This show is just about killing me, just trying to make sure it goes exactly the way I want it. We're putting another show in its place in February. We'll be going public with that one in about three weeks. It's a good one too!) But Divine will premier at the Lyric Theatre shortly after that one. Gypsymusic wishes to thank JEFFREY LUTES and the staff at CLEAR SOUL PRODUCTIONS for their dedication to promoting music without compromising their dream! We applaud you! Best wishes, Kate. Kathryn Hoffman Baley Promotional Director, Gypsymusic Dallas, TX This article was written by Kathryn Hoffman Baley 9.22.99 The views expressed by Jeffrey Lutes in his interview are his and does not reflect the opinions of Gvpsymusic.
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Photos

Jeffrey Lutes' Classmates profile album
Legendary Band YES with Jeff Lutes
Jeff Lutes' Bass Guitars
Jeff Lutes' Bass Guitars
Jeff Lutes' Bass Guitars
Jeff Lutes' Bass Guitars
Jeff Lutes Practice Bass Rig Near The Desk In His Office
Legendary Band YES with Jeff Lutes
Little Lutes Bass Floor Pedal System
Jeff Lutes 2008
Our Drummer Nathan Quade with Alan White
Our Drummer Nathan Quade with Alan White
Our Drummer Nathan Quade with Alan White
LuLu With RJ Bass
LuLu With RJ Bass
 LuLu With RJ Bass
. . . Our special live-band project of the last 24 years goes by the name "Wild Elephants!" for more reasons than one . . .
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Our Sandy Carl! . . . Memorial Day 25 May 2015
Our Sandy Carl! . . . Memorial Day 25 May 2015
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
Jeffrey Lutes' album, Timeline Photos
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