John-David Hughes:  

CLASS OF 1965
John-David Hughes's Classmates® Profile Photo
Morse High SchoolClass of 1965
San diego, CA
San diego, CA
San francisco, CA
San diego, CA
San diego, CA

John-David's Story

WReturned to our beloved Sierra. Tiny forest ranch. Heaven. We were, living a pleasant existence on the Central Coast. Latest shorty.... 12/22/09 Fresno and North, Central Valley Images The drive up to Sacramento was an eye-opener. I was used to the old blank, dusky-blue hazes of the valley before winter settled; skeletal trees beside disheveled barns and outbuildings, farmhouses sad and wan in the dim light. Fields fallowed, groves drowsing. Now, lights and civilization and sleepy off ramps that rise, fall, with greater numbers. Gasoline is easy to find on the highway now. No need to sleep beside a closed Signal station and wait for morning, for the new lease on concrete freedom..... The farms are ill-used now, and fallowed, most likely awaiting the transformation from productive soils to cul-de-sacs and streetlights, two car garages and the irony of the reduction of the cold-wet earth to asphalt and curbs, urban nightmares. Where once stone fruit rose and swelled in spring to summer to harvest, the gangs fester and boil for imagined or real reasons and the roadside is littered with the result of such change. Rusted implements stand or lean in unused wreckage. Only these Valley scenes occlude the what once was with the what is now. The inelegant development waltz, with its promise of tax revenue and of living instantaneously; houses built to lie empty, languishing as the furtive builders and their supporters slide and slip into the dark recesses of immediate gain at the expense of community. Boards and city fathers in conspiratorial perfidy, Diogenes would find none of consequence or of gravity. Across the Valley, once, the Sierra Nevada, the ¿snow-covered saw of the Spaniard¿s discovery, rose in relief against the eastern sky, proclaiming, ¿here is water.¿ The rivers ran from these places clear and often deep, north and west to the sea. Beside the highway those many years ago, the new canals brimmed with blue waters destined to the farmlands. Now, the possible view is dimmed, blanked by risen dust and smoke from the farms that drank from the canals. The new cities grown, and the old ones falling to ruin from within and from purposeful mismanagement contribute their offal. Feedlots and industrial dairies store beef and milk and create ordure and filth even as they are prepared for milking and for slaughter. Methane and unpleasant gasses supplant the flowered Valley spring and summer. Instead, Turlock has big box stores, as do Modesto and Merced. Brilliant lights and a whole strip of new names and frontages that shout 'crowds here too!' Stockton, poor ill-used Stockton, looked slattern but perky, dolled up for Friday, but stood up by the passing cars and the occupants who headed for other amusements. The tractor-trailers rock along and the spinning front wheel lugs flash like wheels in the race in Ben Hur...not too close, no, oh he's weaving...oh, it's me! The mileage recorders on the semis dance and gimbal on the rear tractor wheels as we pass abreast, uncertain whether they should spin on the axle, or remain level and on the job measuring life passed or places travelled. Highway 99 has lost some of its music and the thumping accompaniment of the seams and joints, but enough remain, that when crossed at speed, the old thrill of the 'road' seeps back in: The 56 Ford two-door Crown Vic rises in memory, bench seats, pressed close to and breathing Susan's golden hair spinning and flying and her perfume, her perfume, on the bench seats, no seatbelts, Wolfman Jack howling on the AM and the 302 Thunderbird with the four barrel sucking 15 cent gas, the dual glass packs thundering, and the road is so, so open for a kid at 17 and nothing but north to travel.... (All rights reserved) 11/02/09 Cider Making It is November. The full moon is lowering in the west at this new hour, so peculiarly strange, an artificial time, though the moon doesn't care. The sea yesterday was blue-diamond and the Bay was pouring its highest tide in a race, back to the sea. The easterly winds were carving the waves into spray-topped perfection. The tourists were saying, "Oh!" This confounding California coast, so different, so familiar, yet, strange just now. There are no discernible seasons, just more, or less, sunshine. The winds bring warm air from the land and press the fog far out, as far as the horizon and more. We were at the ranch last week for the pressing. The sun shone as bright as at the coast, but someone had taken the leaves and painted them, the air at 4000 feet left us breathless in the near frozen morning. The favorite oak had dropped a huge branch in our absence. Shocking change, yet in the natural order of things, there will be firewood for the iron stove in the house. Beyond the Valley, west, the Coast range lies, and beyond that the never-winter of the Pacific shore. Across the canyon, toward the four-lane, the colors range from gold, to brown, to some reds, and the buckeyes, first to green, first to skeletal destitution, warn of winter. The apple orchard has become a feasting place for the coyotes, and the few bears. The fallen fruit will soon be tumbled into the ancient juice press with a pleasing sound from years and years of working this way, juice pouring from between the oaken slats. This apple press, which once lay unused for a half century, repaired by the youngest ranch mechanic years ago. He worked to clear the oak leaves and the past, though not too much, from its workings. It stands ready near the tubs of apples and the barrels. Black, gray oaken staves, burnished bronze and iron. Timeworn, worthy, waiting. The path that this press took allowed it to serve in orchards in Utah in 1854, Nevada in 1876, and at the foot of the pass that opens to Yosemite, Lee Vining, until 1903. With new ways of pressing, the simple machine was cast aside, yet not left behind when the family moved once again, over the passes to the sweet pastures of the west slope. Now, burnished with new use, the handle spins more and more slowly as it presses and presses. One hundred and fifty years, the purpose for its manufacture still observed. A center point of this harvest night, the press, wet-stained, drools juice into the small barrels as the young men pull and twist the screwed top down and down and down, until apple mash remains. The mash becomes feed for the yearling calves, some juices as ciders will ferment and age, and more will remain as sweet juices for memorable ranch breakfasts. This work has to be done in the light of the lanterns and the porch lights at the side of the ranch house. Gathering is done in the day. Children and adults race to fill the baskets and spill them into the wagon pulled by the ancient John Deere. Contests and culling, only the fallen apples will do. Darting in and out beneath the ancient trees, the grafted trunks swelled with age and time, the children do the best work. The apples will lie, bathed in the sweet well water drawn from the near spring, the artesian one that gives fresh, cool water in the deepest summer's furnace heat. Now, though, the winter chill lies in that water, taking each finger and removing the warmth that was felt at each hand held, in each caressed cheek, in each wrapped-around hug of return and of welcome. Pressing is for the night and the gathering of friends and family, some postmodern druidism, worship appropriate to the harvest. It must be done when one's fingers become numb from picking and culling the washed apples, scooping handfuls into the press. Winter cannot come until this work is done. Breath steams from each smiling face. Friends and dear family, close and working in the cold, laughter and shrieks of surprise as each hand stirs the wash barrels full of sweet well water and the apples. Hands stinging as they are warmed at the fire, the hard ciders and the sweet from last year's work making the fun more piquant and worth the doing, for more than just the cider. The tables are piled high with the ranch bounty. The ovens have given bread and pies; the pit-roasted pig and beef lie sliced and steaming. The children shiver, not so much with the cold as with the anticipation of perhaps having waited so long for supper. This family has grown, too, and has added more and more to the hands at the press, the ovens, and the dance. Their shrill voices affirm the continuation and the future for these ranch people and the others just back from college, just back from Asia, just down from the high Sierra and the Valley, from the Coast. There is music. There are lights strung haphazardly across the nearer pasture. Those brave enough gather, crushed grass underfoot, and dancing, sing the familiar and the new songs at odds with the rules of form, meter, sharps and flats. The fire dances, too, sends sparks at each added log in signal and in salute. Ranch life, celebrated. In the morning, the yearling calves will feast on the result of the previous night's pressing, then onto the cattle trucks for their winter below the frozen clouds. The line of cider barrels soldier themselves, parade rest, into the dark barn, to sleep and wait the next fall, the next harvest, the next pressing. The work of the ranch, unceasing, respected, observed. Winter hovers just uphill. Between these days of slumber in the dark, there are fairs and tastings, gatherings and smiles, cowboy wassails and friendships. Calf roping, round-ups and rodeos will intervene. Wood cutting, building, farming, work, hard work will be done. The children will grow; small boys and girls will flourish and flower and perhaps bring the next year's new faces. Babies, a new beau, or a beauty to be added to the joys of such hard work, which is not really so difficult. The bea...Expand for more
uty too, is the knowing that next year, and the next, the moon, the near-frozen fingers, and the laughter will come again. The press rests at home. It will not move again from the sweet lands and the water that feeds the aged orchard. Spring, then summer, brings bees and bluebirds, jays, juncos. They flit from branch to branch, motion in the stilled orchards. Blossoms pass as petal-snowfalls. The air is sweetened. The apples will swell; fall, and the gathering will begin again. This is what we would do every November full moon at the ranch. When the apples drop, red and sweet, the canvas cover is pulled from the press, the barrels are arrayed, and the word goes out. The message reaches the far coasts and the cities, "Come home, it's cider pressing." Plans are made, packing and excitement for each, with their own special memories. Memories of the November moonlight, the coldest, sweetest stolen kisses, perhaps, and the cider pressing, vouchsafed. copyright: jdhughes publishing inc. 2009 ___________________________________ Some latest works.... Four-Penny Nails Box nails they were called; For putting box sides and shapes in order; Marvelous, sinking them, with a one pound hammer, Sixteen ounces raised and swung, just so. Four-penny, wire nails. Things, fruit, small things, to be moved from place to place, To reappear and arrive, anticipated, hoped for; Four-penny nails, such a secret ingredient of that longing, That need, sent for catalogue orders, produce market surprises; Sweet, driving them. Making boxes. Demising hopes, requiting need. Four-penny nails, not too big, for that sunders the sweet wood grain, Splitting and sundering the perfection of a small rectangle, top and bottom Cut square and true, holding dreams, Christmas, nautical instruments; My love's father began, in a citrus land, making boxes, Sunkist, sun kissed; Four-penny wire nails, common among the varied shapes, rectangles, squares, Dreams vouchsafed and wrapped with honest straight grains and steel. Who would know what the shape would hold? Sometimes student's modest beginnings, or father's medals and lodge parchments, when he had gone from here, swept from his walls to the small wooden box, crafted as a child, for the wonders and his joy of driving four penny nails. Driven with such care, into soft wood, so perfectly, and so true. If only life were ordered by these same fasteners, a nail here, driven just so, Would bring him back, would secure against time. Four-penny nails. Price Canyon Road (A coastal canyon road with Oil) The oilfields are labeled One, Two, Three, Four The oaks and willows mask the rent earth and the holes deeply driven, The bleeding earth stained black, shales discolored; The road wends and rises; Falls toward the sea; Abandoned drifts and seeking lie at the foot Of the things that rise and fall, some LA nightmare as the black earth and the dead Stream, bereft of life, runs to poison the sea. A bituminous sheen afflicts the waters Does not calm, no, but disrupts Disorders, Obscene, the reemergence of the fluid, the earth-blood, black ooze Viscous, slime-slippery, destined for reduction and for shattering To the basic parts of the dead things that had gathered Deep and esoteric, black, the color in the earth of no light Of things long dead and left undisturbed; In response, in its return, in its use The black ooze, Promethean promise Offers dilemma, Poisons the sea, The air. Towards Sunrise, Inauguration Day I flew, between the night and the dawn, On this new day; Exalted, eastern sky limit, saw-toothed, snow capped, reflecting; Cirrus and stratus reddening to gold and silver, Portent of change, new day, and the end of that cruel, cruel Winter; The long night ending; Rising toward zenith, exiting darkness, to light; In this January morning an eagle, a dove, a songbird, Rose from the eastern sky, dark, dissimilar shapes Moved skyward, from the root of dawn; Alighting, feather touch and flourish of ennobled wings Spread so far, so wide, these beings of neither earth nor firmament, Rather, a place where choice and promise find beginning And being, furl wings and stand, watchful; The branch, and the great spreading canopy of 'laced leaves Of diverse light and shadow, receives, shelters, succors; Outward then, in this red-golden morning these differ'd, and different Creatures wrest themselves from earth, Slip bonds, in unfettered flight, Seek the stars. A Christmas Eve Story In between snow And not, As you lay sleeping I watched the motes in the light Of our home Reflected in the glow Of the little kitchen, wherefrom coffee comes In my indistinct mornings; Purpose you give and I respond, as best I can; Blessed, I stepped out On Christmas Eve In a champagne haze, snowflakes danced.... And fell in love again, As I do, with each moment; There is, can be, no other; The hearth and the flickering firelight Affirmed miracles and comfort, Joy and the wonder of Being. New personal work--what did you see of, or from,San Miguel? The Beacon on San Miguel When I was small, the first star was not of the sky But the earth; Far east of our house was a mountain, At its summit, an aircraft beacon swung each night, Two then one flash, to ward and to guide, but more; Captivating a small boy, fueling dreams and offering a horizon Not unlike Ulysses' horizon which moved and moved and moved; In a place where steps from the front door, just down the walk, I could face the blue world-edge-horizon of the distant Pacific, and, turning about, view the eastern skyline, dominated by the seat of the electric-eastern evening star, The one that rose each night and called flying things; it offered challenge even then; Mother said it was 'far, far away' when asked, 'can we go there?' in a child's innocent earnestness; her loving limits placed just so to delay the future and leave-taking; I trained my first telescope on that distant peak, viewed before "The Jones'" new house occluded the eastern view, balanced on the piano bench and sighting, Focusing, planning the ascent even then¿. Time passes, small children, become boys and girls, Choose paths individual and forever linked in spring baseball, Summer lemonade sales, bagging fruit to sell, quarter a bag, door to door The wagon fragrant with apricot, plum and peach; Then two wheels, and the maker of expeditions called 'adventure!' Across and down the street; the boys came..girls and their mysteries remained, in some future; Imagine discovering that by going down Rachel to 18th, then south on Prospect, From National City, through Lincoln Acres with its Cozy Corners and Beasleys, Star theatre, where the Wizard¿s Lion had frightened tough Keith to tears, through the old cemetery, to the ponds, seasonal Sweetwater. Hejiras, born of a five-year-old on his sister's bicycle; Scolded upon a too-late return, swearing off riding for-EVER! Reaching, searching, looking for the next new place, discovering maps! The world connected! Freedom from bullies and chores and walls! Choose a place and you could go there! The mountain called; Other expeditions had brought boys to water, to small fish, summer respite Purloined watermelon and stolen cigarettes; hyperbole and story, war games and sage smells from the mesas, but never the mountain; Seventeen climbs, three at night! (A work in progress for the third poetry volume. Reading too much Gunter Grass lately, I suppose..... Now I have my marvelous Sierra and the Central Coast. Six thirteen thousand foot peaks within forty miles of the ranch!) Life Wreck of Winter The wreck of winter lies at the roadside all boulder strewn and fallen branch; The stricken path, become gathering for want of passing. Neighbor as stranger, in mufti, cold, gloved, ambushed by the real, denied the frames and order of the day; First light reveals all the tumult and detritus; summer's excess road-strewn; Words of 'move this' and 'lost time' fleetingly form and are as quickly torn from lips blued by whipped breezes that should have caressed, danced waters by now stilled; Instead, roiling torrents all muddy and striated foam, all roaring and cradling torn branches and black-wet root burl, stripped naked; Nature undenied, implacable, scourging, cleansing, in throes of spring, the birth of something unknown, new, damp, moist cold and tottering, stumbling, rolling to the path ripped from the mountainside to lie, and warn of power and staying the day; The wreck of winter, undenied, accepted, remarked and grudged, that resignation; No change, upon that path; no fleet passage from one care to the other, Life all clocked and metered cannot compel the stone and timber more quickly than it gives itself up to the insistent demand of device and lever, and chain; Tollhouse rockslide, winter 2006 All rights reserved, John-David Hughes 2007 All works herein: Copyright 1/20/09 JD Hughes Publishing Inc. We have retired to the Central Coast. Waves and seabirds, Big Sur nearby.... I am no longer teaching technology in San Diego County. A retired SD County employee, I had moved to the Sierra foothills above Clovis ( small place, 20 acres, about 3900' altitude). I taught at Clovis East HS (huge place - 2600 students!) Now I reside at the coast near San Luis Obispo. Retired I write and live as I had hoped. I do reflect and recall special times and places, friends and events. I spent much of my time working with technology issues for non-profits in the San Diego area, consult nationally on these issues, and provide security consulting internationally. Regards to everyone who happens in here. No updates in ten years!!
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