Molly Thomas:
CLASS OF 1988
W. I. Thames Elementary SchoolClass of 1988
Hattiesburg, MS
Murrah High SchoolClass of 1988
Jackson, MS
Gulfport High SchoolClass of 1988
Gulfport, MS
Bayou View Junior High SchoolClass of 1986
Gulfport, MS
Molly's Story
Life
In a recent London Times article about the surplus of non-country music talent in Nashville, the author recalled visiting a Music City rock club and happening upon a young female violinist backing up an unknown singer-songwriter on a weekday night. The violinistÂs compelling voice and stage presence, even in a side musicianÂs role, proved to the author that Nashville was simply overflowing with artists on the verge.
That violinist, Mississippi-native Molly Thomas, has since moved to center stage, having now released a gripping full-length solo LP, Shoot The Sky. The album, mostly recorded in Thomas Nashville home, features twelve tracks and Thomas herself on vocals, violin, guitar, cello, bass, piano, moog, Hammond organ, mandolin, assorted percussion and, on the oddly buoyant ÂCrack Cocaine, some wonderfully trashy drumming.
The albumÂs title is a nod to an unnamed lover whose self-destructive nature also destroys those who love him - even those who wish they did not. ÂAnother wasted dream, another wasted man, another wasted day with you, Thomas sings, resignedly, on ÂBlueprint, the albumÂs haunting, reverb-laden opener. Thus the stage is set for this emotional, at times bitter, but ultimately triumphant album.
Thomas, who continues to be an in-demand live and session player, most recently for the likes of Todd Snider, Will Kimbrough, Matthew Ryan and Mindy Smith, gets some assistance from some of her peers on Shoot Th...Expand for more
e Sky. Ryan, with whom Thomas has toured extensively, appears here as guitarist on the pleading title track and backing vocalist on the piano ballad ÂSleep, while his ÂI Hear A Symphony provides the recordÂs lone cover. Houston-based artist Mando Saenz adds his voice to the album's slow-burn ballad of star-crossed love, ÂBad Timing, which Seanz also co-wrote with Thomas.
Other collaborators include Rowland Stebbins, whose weathered backing vocals add a peculiar warmth to the lilting, late-night-flavored waltz, ÂMy Side, and Brian Harrison, whose musicianship, co-writing and co-production on three tracks adds counterpoint and polish to Thomas already strong vision. HarrisonÂs credits include Lucinda Williams, and the closing track, ÂIÂll Be Fine, highlights some of Thomas favorable comparisons to that legendary artist. Another Harrison-assisted track, the blistering, radio-friendly ÂWide of The Mark, allows Thomas to expose the so-called Âplush life and Âgilded cage of her self-destructive foil and to declare that, finally, sheÂs having none of it.
To have self-produced the lionÂs share of Shoot The Sky demonstrates the confidence Thomas has built over her career, from her earlier days in the Mobile, AL-based college band Slow Moses, to her solo performances on the Nashville club circuit, to touring the U.S. behind top-shelf singer-songwriters. ÂIÂm more comfortable with who I am now as an artist, she says.
Register for Free to view all details!
Yearbooks
Register for Free to view all yearbooks!
Reunions
Register for Free to view all events!