Amorette Jones:  

CLASS OF 1984
Amorette Jones's Classmates® Profile Photo
Harlingen, TX
San francisco, CA
Dallas, TX
Harlingen, TX

Amorette's Story

Life i am currently living in los angeles california, where i ahve lived since 1990. i work in the film business, own a home with my partner who i have been with for five year. we have two standard poodles and one maltese. i love to travel and have been around the world, particularly fascinated with s.e. asia. Workplace An executive with over 15 years experience, Amorette Jones has an extensive background in marketing, advertising, publicity, promotions, media, digital media, licensing, strategic alliances and business development in the filmed entertainment and media industries. Currently, Amorette serves as President of Marketing for Arenas Entertainment, the leading Latino entertainment agency in Hollywood. Responsibilities include the management of all company business including marketing, client services, worldwide business development, operations, P&L management as well as involvement in film acquisition and development. Under Jones’ supervision several milestones have been accomplished including the company’s first theatrical release, Spanish language film “Nicotina”, the acquisition of animated film “The Three Wise Men” and it’s subsequent sale to Buena Vista Home Entertainment, the original production of concert piece “Culture Clash In AmeriCCa” and increasing agency billings by 25% to reach an agency best of over 30M annually. Previous Experience Prior to Arenas Entertainment, Jones served 6 years as Executive Vice President of Worldwide Marketing at Artisan Pictures, reporting directly to the CEO. While there, she oversaw all marketing initiatives for the studio’s releases while advising on distribution strategies and respective P&A budgets. Her pioneering marketing vision powered the campaigns for such successful and diverse films as Spirit Award Winner “The Blair Witch Project”, Darren Aronofsky’s Spirit Award Winner “Pi” and “Requiem for a Dream”, Steven Soderbergh’s Spirit Award Winner, “The Limey”, Jim Jarmusch’s “Ghostdog: The Way of the Samurai”, “Jonah A Veggie Tales Movie”, “National Lampoon’s Van Wilder”, Jon Favreau’s “Made”, Miguel Arteta and Mike White’s “Chuck and Buck”, Wa...Expand for more
yne Wang’s “Center of the World”, John Water’s “Cecil B. Demented” and Gale Ann Hurd and Marvel’s “The Punisher” as well as award winning documentaries Academy Award nominated “Buena Vista Social Club”, Pennebaker’s “Startup.com”, “Standing in the Shadows of Motown” and “Step Into Liquid” among others. Additionally, Jones established the company’s foreé into the consumer products arena to handle licensing and merchandising for their marquis theatrical and library titles. Within one year Jones was named Licensing Magazines “Top 40 Under 40” licensing executives and saw profitability go from zero revenues to revenues in excess of 15M. Under Jones’ tenure, the studio’s marketing department broke new ground and set the industry standard with its innovative and forward-thinking strategies and campaigns. The marketing of “The Blair Witch Project” epitomized Jones’ model for a successful marketing campaign in its pioneering use of the Internet and other grassroots efforts to maximize the film’s potential. Jones played a major role in the development and execution of this marketing campaign, now regarded as an industry benchmark. Amorette, as a key member of Artisan’s senior management team, was intimately involved in the re-positioning of the studio from its roots as Live Entertainment, widely known as solely a home entertainment company, into a premiere independent film studio. As Executive Vice President, Marketing at Loud Records/Steve Rifkind Company (SRC), she launched a successful agency business focused on partnering multi-platinum recording acts with corporate and entertainment partners seeking street credibility with the difficult to reach 12 – 24 year old marketplace. Her marketing savvy resulted in a lucrative alliance with Pepsi/Mountain Dew that led to the 20M sponsorship of the multi-platinum Wu Tang Clan and multi-platinum Rage Against the Machine tour. This was a first-time sponsorship for Mountain Dew, and counted as a first for combining rap and alternative rock on one ticket. While at Loud Records/SRC, Jones headed up client relations, marketing, strategic alliances, corporate sponsorships, new bu
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