Michael James:  

CLASS OF 1969
Michael James's Classmates® Profile Photo
Belleville, IL
Grant Middle SchoolClass of 1961
Fairview heights, IL

Michael's Story

Some of you might remember that I played piano in the high school orchestra, and even played piano in the dance band that played for the BTHS 1965 Junior/Senior Prom. (I made money that night instead of spending it!) I was one of those rare nerds who wore a band letter on their BTHS jacket. I figured I was working at my musical activities as much as the athletes were working at theirs, and wore my letter proudly. I got a lot of teasing over that little letter, but sported it proudly. It was a real turning point for me when I played my first professional gig on December 17, 1964 with my dad in a local Belleville area dance band called "The Skyliners." In those days all the bands tried to use union musicians only. Dad couldn't find a union pianist for that night. Quickly I got into the union, played the gig and shortly thereafter went to my first union meeting with the Belleville Musical Union, Local 29. Immediately I met Chuck Eckert, who led the Sal Denron Dance Band, and was playing regularly on weekends. I met Ron Mitchell, a fine trumpeter who later led the band, and played many combo gigs with him. He was a public school band director and now plays with my uncle, Earl James and my cousin, Don James in the RSVP Dance Band. This is a band that plays for Senior Citizen Centers all over Southern Illinois. In that band also are Bob Young, who was in the Skyliners when I played my first professional gig and Margaret Keen, a former piano student of a really great musician in our family, Vin James. When I was working on my M.M. at Southern Illinois University at Edwardsville (January 1975) I took some time away from my scholastic work to prepare and perform Mozart's D minor Piano Concerto with the Belleville Philharmonic Orchestra in the Belleville Township High School Auditorium That was a memorable occasion, but a little sad, because my dad passed away the following March. I am glad he got to hear me perform with orchestra before he died, because I would not be the musician or man I am today without his teaching, leadership and guidance.. From the days of my very first piano lessons when I was ten years old, I always wanted to become a professional pianist. As you can tell by what I have mentioned above, I came from a family of musicians that all played in the greater St. Louis area, mostly on the Illinois side. My grandpa had a cousin, the previously mentioned Vin James, who was well known in the St. Louis area around the twenties and thirties as the "master of the ivories". He also played organ for the silent movies at the Lincoln Theatre in Belleville--his name is mentioned on the Lincoln Theatre website in the "Theatre History" section. I grew up in his shadow, and he, along with several other musicians (inside and outside of my family, mostly from Belleville and Collinsville were my childhood heros. One of the outstanding musicians (who also played in the Skyliners) was Jack Hazzard. I don't think I have ever heard another sax player who can play as well and improvise such tasteful jazz as this man. He was amazing. I used to wonder how jazz musicians could improvise such beautiful lines of music on the spot. My first piano teacher, with whom I studied until the age of eighteen was the Belleville pianist and teacher, Art Buechler. For several years Art played with Muggsy Sprecher's Gaslighters at Gaslight Square in St. Louis. At various times he also played music with several of the musicians in my family. My dad used him as a model for me to emulate, and a fine musician he was. Sometimes at my lessons he would demonstrate the styles of various prominent jazz pianists of the time, and I looked forward to the day when I would eventually develop those skills. Among the piano teachers of my college years were Ruth Slenczynska, a world famous concert artist and Herb Drury, a wonderful jazz pianist, whose trio had a prominent place in the musical tapestry of St. Louis. When I served as an Air Force Bandsman from 1969 to 1973, I met and performed with many more fine musicians, some of whom are still friends to this day. Throughout my life I have been fortunate enough to make my living playing piano and keyboard. My last stint at formal musical education was from 1986 to 1994 when I earned my D.M.A. in Piano Pedagogy from the University of South Carolina. All through my doctoral program I performed jazz and taught piano in the greater Columbia, SC area. My wife, Nancy (Harris) earned her Ph.D. in Language and Literacy from USC, graduating in December of 2011. Her m...Expand for more
akes her living teaching art at a Columbia elementary school, and I make mine primarily by accompanying dance classes for the Dance program in the Department of Theatre and Dance at USC, Carolina Ballet and rhe Center for Dance Excellence (Lexington Ballet), two pre-professional companies in the Columbia area. For eighteen years I was also the church pianist at Chapin Baptist Church. I have performed twice with our excellent student orchestra at the University of South Carolina, and once with the Lake Murray Symphony Orchestra, a fine community orchestra serving the midlands area of South Carolina. I initially got involved in playing for dancers on a part-time basis while doing the last couple of years of my doctoral work, then discoved that it was a job that let me play the piano all day, improve my musicianship and gain an understanding and appreciation of dance as an art. I have had the priviledge of getting to know and establish good working relationships with many of the world's finest ballerinas, modern/contemporary dancers and choreographers. In the past few years I collaborated with a friend, who is a very good ballet teacher and studied at the School of American Ballet on a full scholoarship. We created two CDs comprised mostly of my original pieces for ballet technique class, along with some other favorite pre-existing tunes. We are now beginning plans for a third recording. The first two recordings have worked very well in the Columbia studios with students of all levels, and dancers and dance teachers have taken my recordings to teach classes in studios all over the country. I also collabroated with another dancer friend, who formerly danced in NYC on a contemporary dance piece. The piece is called Meditation, and it is in the style of Phillip Glass and choreographed for two dancers in The Power Company, a contemporary dance company led by dancer and teacher, Martha Brim. It's very rewarding to create music that is useful and appreciated by the dancers and dance teachers. Music and dance are close sister arts, and I have learned much about music by interacting with dancers. Also any kind of creative work in music makes you a better all around musician, because it forces you to think musically. In the future I want to produce CDs of traditional hymns, jazz standards, ballet class music and original piano compositions. I also want to open one or more schools of music to serve students in rural areas. As a performer, I think ahead to a time in the future when I can resume playing jazz, church music and chamber music. I enjoy being what I call a "community musician." Its very rewarding and natural to make your art right where you live. Over the years, I have seen some of the students from classes I played for in Columbia studios through the years become professionals dancing in big companies all over the country, and a few of these individuals are true stars. Seeing them perform memorable performances makes me grateful for having a small part in helping them develop into what they are today. Thiinking about this makes me try to always do a good job, even if I am playing for a little class of four year olds. You never know if you have a future great dancer in the class you are playing for. I really believe that if I model excellence for them every time I play, maybe it will help them to also strive for excellence in their art. Nancy and I hope to retire in a few years, and hopefully resume our activities in the arts in Missouri and Illinois where most of the members of our family reside. Neither of us want to really "retire," but rather continue working as freelance artist/educators. During our more than 40 years of marriage, we have lived in NJ, WA, MN, WI, IL (home to get my M.M. in piano at SIU after a stint in the Air Force and before going to teach in MN) and MO (part-time), but the place where we have lived since 1986 is SC. Even though it is a beautiful, warm place to live with lovely mountains AND beaches, we still miss our home in the Midwest. Our life together has been one rich in experiences, but we have often wished to be closer to our family and the friends of our youth. We have made many trips back to visit MO and IL through the years, but visiting trips do not quench the homesickness and yearnings to be closer to people at home. Our son, Joe, his wife, Katherine and our two grandsons, J.D. and Jesse, who live in MO continually intensify our anticipation of retirement, when we will, at last, be able to live near them, year around.
Register for Free to view all details!
Register for Free to view all yearbooks!
Reunions
Michael was invited to the
1169 invitees
Michael was invited to the
249 invitees

Photos

Michael James' Classmates profile album
Michael James' Classmates profile album
Azalea
The "two-toned shrub"
Springtime in the South Carolina Midlands
024
Michael at his 1917 5'7" Steinway M Piano
Snow in Dixie

Michael James is on Classmates.

Register for free to join them.
Oops! Please select your school.
Oops! Please select your graduation year.
First name, please!
Last name, please!
Create your password

Please enter 6-20 characters

Your password should be between 6 and 20 characters long. Only English letters, numbers, and these characters !@#$%^&* may be used in your password. Please remove any symbols or special characters.
Passwords do not match!

*Required

By clicking Submit, you agree to the Classmates TERMS OF SERVICE and PRIVACY POLICY.

Oops an error occurred.