Andra Clark:  

CLASS OF 1960
Andra Clark's Classmates® Profile Photo
Schenectady, NY
Chattanooga, TN
Randell SchoolClass of 1959
Denver, CO

Andra's Story

Cookies and Catastrophe When I was a kid growing up in Denver, the fad for wearing the shirt collar turned up, a la James Dean, was big time. So was the D. A. haircut (resembling the hindquarters of a duck), and the boys did their best to locate the waistband of their jeans and chino pants somewhere between their pointy pelvis bones and sheer disaster.Etched in memory, along with Eddy Bennet throwing up on me in church, and my first kiss, is the day that will live forever in junior high infamy. I was walking to class behind Chucky Lucero - a guy so utterly cool that every girl in the class of five hundred had a crush on him - and me no exception. Nobody else could get that perfect line in his glossy black D. A. where both sides met in back - and his collar had a little extra lift in back, its starchy points like wings that might fly him away at any moment. AND... most significantly, he had the lowest waistline in the whole school. Maybe in all of Colordao. His mother must have sewn extra fabric to his shirt tails to keep them tucked in, Chucky was that long-waisted. His pants rode precariously just below the pelvis, the legs puddling low over his loafers. He was THE paradigm of fashion, the envy of every male in school. Chucky simply had no hips - none at all. Sitting for any length of time must have been torture for him, he was so devoid of padding. So it must have been with a certain devil-may-care attitude that he dressed himself every morning, casting fate to the winds - or in his case, a narrow Swank leather belt - as he slid those chinos down his torso as far as they would go and still hang on. I remember hoping, as I walked behind him, that he'd drop a book or something, so I could hand it to him and actually get to talk to him! That never happened, but careful what you wish for. He did drop something. There isn't much to tell. Everyone around him wanted to die on the spot - especially me, immediate eyewitness to the collapse of my hero's mystique. In the wink of an eye, before you could say, "Look out below," those chinos dropped right off his hipbones and bagged around his ankles. Chucky's mantle of cool evaporated like morning dew, as he dropped all his books to grab for his pants and fell to the floor, his feet all tangled up in pegged chinos, revealing a pair of very skinny legs. It was awful! I don't know what he did after that, as I had to look away, I was so crushed. Girls started crying. Some of the guys tried to laugh about it, but it was obvious their hearts weren't in it. Quite a few of them did draw in their belts a notch or two. Classes were ten minutes late, and no one was able to concentrate. We were dismissed early. The traumatic discovery that our school idol had feet of clay - or more accurately, birdlegs - was devastating. As for poor Chucky, I regret to relate that no one ever saw him again after that. It was rumored his family moved to Omaha, where I hope things went a whole lot better for him. The only consolation that day was in the lunch line, where they were serving Peanut Butter Balls for desert. One of the lunchroom ladies, sympathetic with us kids' distress, obliged with the recipe, which I share here in Chucky's name. PEANUT BUTTER BALLS 1 1/4 cup crushed graham crackers 1 tsp cinnamon 1/4 sugar 1/4 tsp nutmeg (optional) 1/4 tsp ground cloves 1/4 cup peanut butter 1/3 cup corn syrup Mix all together & shape by hand into approx. 1" balls. (to keep dough from sticking to you, apply thin coat of butter or canola oil to hands) Roll balls in powdered sugar. They keep well, if they stay around long enough - unlike poor Chucky. ****************************** ESSENCE-TIAL DEFENSE Maybe others have a similar childhood memory. Think back. You're a girl. A half-civilized, prepubescent male wants your attention, but has no idea how to get it. He says your dress looks like a Hostess cupcake, yanks out a fistful of your hair, or makes fun of your name, which unfortunately rhymes with an inappropriate word. Now what to do? Dump your milk carton in his lap? Chuck a science book at his head? Not if you were in my fourth grade. We women in training never resorted to such unladylike self-defense. We were secretly armed with an invincible weapon which, like the A-bomb, was never deployed until thoroughly deserved. Mine was green, about the size of a kiwi, with a range of some twenty feet. Deadly in a classroom. No beretta, my dainty little squirt gun was filled with that most lethal of concoctions - at least to the male mind - REALLY cheap perfume. My ammo of choice was Woolworth's "Blue Waltz". It had unparalleled staying power. One hit from it raised your respect level like a plate on the San Andreas Fault. I can still picture my little green gun. It looked like Dick Tracy's. I can't even remember the teacher's name. My family has grown considerably, and we've developed many variations on this theme. My girls have defended themselves with aerosal deodorizers, colognes, hair sprays - even bug repellent, once. I did think that a bit over the top, and intervened. But the basic idea was appropriate: avoiding physical retaliation with a flick of a harmless atomizer. This battle plan isn't limited to the female gender. Several Halloweens back, my son came home with a report that some older, mean boys planned to egg our house that night. He did not wish to engage in mortal combat. He and his father rounded up a pair of super-soaker, pump-action, water assault rifles - male counterpart to my delicate squirt gun. They requested my worst cologne, which I located in the basement, where it had been marinating for eight years. Imagine the potency - it was half-evaporated and had turned a malignant shade of khaki. My husband wrenched opened the cap, took one whiff and nearly passed out. He and Sonnyboy filled their rifles with a mixture of hot water and the pungent stuff. At dusk, they ducked under cover of bush by our front door as the expected assailants came loping to our house with stacks of styrofoam egg cartons under their arms. They dropped their foul ammo and ran screaming when multiple, jet-propelled blasts of rancid "Emeraude" soup, aged to perfection, sprayed them like invisible sprinklers from perdition. No fistfights, no blood, no dried egg on the front windows. We did have to throw the super-soakers away - corroded mechanisms and no way to get the smell out. When our daughters became young teenagers who attended concerts, my husband and I occasionally felt it necessary to accompany them. I seldom carry stinky perfume, but at one concert with 'festival seating,' (meaning you stand for hours through the whole thing), I had brought a forgotten, purse-size squirt atomizer. We were part of a body jam, a sea of heads craning to see Sugar Ray and the Goo Goo Dolls. The crowd was a conglomerate of young music fans, beer drinkers, pot smokers, and a liberal sprinkling of older weirdos, remnants of the Woodstock generation, scanning the crowd for some solitary young thing to maybe bring home for a souvenir. My husband and I stood on either side of our five teenage charges, ferociously guarding them like a pair of Chinese Foo Dogs. Halfway through the concert he showed up, shirtless, sporting a few tattoos, his arms tastefully wrapped in glow-in-the-dark plastic coils. I could smell him behind me, but mostly I could feel the steamy heat of his body, because he was a full foot taller than me, and was bent backwards over my head doing some very bizarre dance with his phosphorescent bracelets. I waited for him to move on. He did not. I considered referring the situation to my husband, some six people away. He could not see this dubious Martha Graham devotee intruding on my personal space. But as I thought of my husband, Viet Nam vet and holder of a black belt, I decided to seek more pacific means to rectify the situation. Fourth grade wisdom came to the rescue. I ferreted in my frumpy cloth bag, my fingers locking onto a little spray bottle of over-ripe "Jontue." It was a real hot night. I lifted hair off my neck and piled it on my head, fanning myself with four fingers, cradling the tiny weapon in my palm, my actions in no way provocative. Pointing the atomizer towards my neck, I aimed just a shade off to the side, to land the spray over my left shoulder. Bingo. And a second quick shot, for luck. But I knew the first one had hit full tilt boogie on the writhing target behind me, when the instant absence of his body heat told me he was gone. No muss, no fuss, no public spectacle. The concert terminated peaceably. People carry pepper spray these days, but I find that too confrontational. Everyone knows why you have it. Give me innocuous rotten perfume, that time-tested secret weapon proven by the boys of fourth grade. ******************************** Momma's Little Pig-Trail to Natchez I do not need a GPS locator. I have been an expert map-reader since childhood. As displaced Tennesseeans living in Colorado, my family made annual pilgrimages across the Great Plains to visit our native land. These odysseys invariably resulted in our getting lost at least once or twice, provoking colorful verbal discussion as to who deserved responsibility for the wrong turn. A former cartographer, Dad could read a map in the dark blindfolded. By association, Momma had acquired a skill rivaling his. So whenever the question arose as to whose (censored) stupidity had caused the two-hour delay while our happy little band toured forty miles down a pig-trail in the wrong direction, both parents were equally qualified to cast blame. My father had not yet taught my mother to drive - ...Expand for more
likely a wise decision. When she later took up the practice, she racked up a score of petty accidents, ranging from the termination of a mailbox to the redesigning of a Saab. But in those days, she was content in her niche as navigator. In the 'fifties, little Interstate linked the wilds of Colorado with the known world of east Tennessee. What is now I-40 existed in scattered segments, terminating in rutty, dusty, unpaved detours through cornfields and long, desolate stretches of open range. These detours inevitably fed into tiny towns where cars full of hot, disgruntled travelers threaded through streets with twenty stoplights that backed traffic up for miles. We never set out without water jugs for ourselves, and the radiator. Crossing the Plains was mighty warm business. On our first return trip to Tennessee, it was so hot in Dad's old Chevy sedan that we poured water over our heads to cool off. Dad amended this procedure, requesting instead a sponging of his forehead with a wet rag, as the Dixie cup showers were blinding him so he could not see to drive. Dad was a cautious man who liked advance study time before investing in new-fangled inventions like air conditioning. He was so sure television was a passing fad, that we did not own one until 1957. The motel situation was chancy then too. No Internet, no toll-free numbers, and if fortune and a "Vacancy" sign did not smile, you might drive all night down a deserted highway to the next distant town. Sometimes we drove into the early hours of dawn before at last falling into a motel not flashing the dreaded pink neon "No Vacancy." Accommodations varied from the ridiculous to the not-so-sublime. One steamy night in Kansas City, we were given a tiny non-air-conditioned room whose innocent-looking closet housed the thousand-gallon hot water heater for the entire motel. Sleeping that night was so miserably hot, it made our drive across the Plains seem like a fond memory of winter. On our last eastbound trek in 1957, we traveled luxuriously in a '52 Chevy Deluxe. This apple-green beauty was five years old, and though devoid of air conditioning, it sported whitewall tires, a radio and was loaded with chrome. Years as a Colorado refugee had taken their toll on my mother, frustrated Southern belle, at the end of her tolerance for living on "foreign soil." Even as Dad sought to move us back east, Momma pulled off what I record as the greatest coup of her married life. The improved highway system of 1957 permitted varied routes for traveling east. Two thousand miles one way is lot of monotony, so for a change, we took the southern route through north Texas, Oklahoma and Arkansas. Momma asked that the Old South be included on this trip. We would be "mere minutes from Mississippi" according to her map, and could add a tour of Vicksburg and Natchez to our itinerary. Dad vetoed the plan, preferring to aim his car like a bullet and land on target in the shortest time. Mississippi was out of the question - no side trips. Momma mumbled a few feeble words of protest, then clammed up, and Dad presumed he'd nipped that plot in the bud. But a dark conspiracy was brewing. I saw it in the tense lines around Momma's silent mouth. Momma commanded respect as navigator, and if she directed Dad to turn or alter course, he complied without question. Not wishing to be bothered with details, he only wanted to drive until he arrived at his destination. I think he never paid much attention to where he was, or what state he was in. Momma shamelessly depended on this chink in her husband's armor. Although she had to know her treasonous plot would destroy her credibility, in one flagrant moment, she chose to chuck it all. Dad drove doggedly on, but when the night's expected destination (Little Rock,) hove nowhere in view, he expressed concern. Concern turned to aggravation. Asked repeatedly where we were, Momma replied in vague monosyllables, telling him not to worry. Aggravation reached its zenith when a very large, unexpected billboard greeted us, proclaiming in boxcar letters, "WELCOME TO LOUISIANNA." Dad read this cheery salutation aloud, added a question mark, and brought our speeding Chevy Deluxe to a screaming halt on the side of the road. Through great clouds of dust created by the skid, he leaned across the front seat and snatched the open map from Momma's pale and guilty hands. "Where the devil are you taking us, Frankie?" he demanded, as it dawned on him that he knew exactly where she was taking us. "We could spend the night in Baton Rouge and drive home through Vicksburg and Natchez," she replied nonchalantly. No good. She was found out, tried, and convicted with no plea-bargain. Stripped of her map, she was demoted to the station of front seat luggage, lower than a hitch-hiker. Even I possessed more rank. Dad stuck his arm over the back seat and stuffed the map into my hands. "You keep this," he ordered. "I don't trust your mother anymore." He also said much more, but I shall not repeat it. Thus was my inauspicious introduction to role of navigator. Thrilled by the status, I vowed to perform my duties with honor and vigilance. Momma shot me a daggerly look that said, "Traitor," but I was too impressed by my new prestige to be affected. We stayed in Shreveport that night, having proceeded too far down Momma's pig-trail to Natchez to return to Little Rock. The following day, we did indeed drive through Natchez and Vicksburg - nonstop. Memories of those picturesque Antebellum towns are green and white blurs of trees and Corinthian columns, coupled with a mild case of whiplash and nausea. That Chevy Deluxe didn't stop for nothin', except stoplights and two filling stations, (neither of them in Natchez or Vicksburg.) It was Momma's last shot at navigating, but she never seemed to miss her old job. She brought along novels and magazines to read on future journeys, instead of maps. Eventually she and Dad began to laugh about their "Whirlwind Trip" through Mississippi, and it became a favorite family joke. Likely there was a better way of working things out, but theirs was a peculiar means of compromise, for everyone did get something from it. I got the coveted role of navigator, Momma got the world's fastest tour of the Old South, and Dad got even. ********************************** Of 8 years' experience in Lena Spencer's CAFFE LENA REPERTORY COMPANY, Saratoga Springs, NY, this night stands out: NOTES FROM PRODUCTION,BEHAN'S "THE HOSTAGE", (in which I play a fallen woman) Terror strikes when I learn that Rick, husky Russian sailor slated to sling me over his shoulder and spirit me offstage, is actually the cab driver Lena met riding home last night. A very bad sign. He's nice but extremely nervous and excited, confessing that Lena pressed him hard to take the part before he finally succumbed. I'm guessing she withheld his tip. And surprise, surprise - he's never done a play before! He asks how he should throw me over his shoulder - oh goodie - so I must assume he's never done that before, either. But at least we've had this jolly, fortuitous chance meeting, prior to opening! We go over our scene a couple of times before the audience is let in, and when he doesn't drop me on my head, I dare hope it might work as a piece of slapstick. It sure won't be art. It could also provide an interesting view for the audience, if my slippery slip slips up too high, when he hikes me onto his shoulder. I make a note to check undergarments for rips and tears. I apply a few more layers of red lipstick to Collette's whorish Cupid's bow, having gnawed off the first application during Russian sailor practice. I ponder the feasibility of snatching the transvestite's kimono as I pass him while Rick is whisking me offstage. We take our places on the dais. Lights go down, then come up, and it's a beautiful sight to see chairs filled with audience. Action begins, songs come off well, the house is laughing at appropriate moments, things are moving just fine. My moment of truth with a Russian is fast approaching. Rick makes his entrance clad in white, ill-fitting sailor suit, cuffs striking very near his calves. How did that get past the costume crew? I then remember that until tonight we had no one to stick in it at all. Rick stumbles nervously over his one-word line, and I brace as I see him coming for me like a maddened bull charging a red cape. He grabs my rib cage, hurls me over his shoulder, and doesn't break stride as he bolts across the stage, bound for the black-scrimmed exit by the light booth. I'm wondering if he knows there's a step up, to climb into it. Then to my horror, I realize that although I'm still decently covered (thank God), part of my slip has fallen across his face. I now know beyond all doubt in one terrible instant, that Rick cannot see a blasted thing. A novice, he also does not possess presence of mind to simply lift the slip off his eyes - nor can I reach it, to pull it back. No, he blunders on unchecked into the blackness, till I hear a thundering "thunk", and muffled cry of pain. To Rick's immemorial credit, he does not drop me. He gets us through the black curtain, puts me down, and collapses on the floor in agony, cradling his foot. "There's a step there," I say, too late. "It wasn't the step," he wheezes. "I hit the brick wall." And may I add, he hit it full-tilt boogie. During Intermission, we realize Rick's acting career will be short-lived. He has, indeed, broken his right foot. En route to her dressing room Lena calls him a cab to the hospital. But first things first: she has a big scene coming up.
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OUR TOWN CAST: Chattanooga High Sr Play 1960
Joe Lewis & Andra: Sharon CT Playhouse 1961

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