Brian Phraner:
CLASS OF 1973
Renton High SchoolClass of 1973
Renton, WA
A.W. Dimmitt Middle SchoolClass of 1970
Seattle, WA
Lake Hills Elementary SchoolClass of 1967
Bellevue, WA
Lakeridge Elementary SchoolClass of 1967
Seattle, WA
Brian's Story
At the age of 18, I bought a Hagstrom electric bass and started teaching myself to play it. I did this by learning all the bass parts in my Yes album collection. It was difficult for the first 3 months with no amplifier, but I found I could press the head of my bass against the wall of my mother's apartment and get a pretty good tone. It quickly became apparent that playing and writing music was to be my destiny and that I'd better buy an amp quick.
I began writing music as soon as I started playing it, so I taught myself to play other instruments that I could write with such as the acoustic and electric guitars, keyboards, drums and singing. In college I played bass in the Skagit Valley Jazz Ensemble with a couple of members of my first original progrock band called Medusa.
After Medusa I became a studio and live sound engineer while continuing to write music solo or with a close group of collaborators. In the early 1990's I co-founded the progressive rock group Phreeworld. The band released two CD's (Boost the Signal, 1994; Crossing the Sound, 1998) disbanding in 2002 after a 10 year run.
I started writing music for orchestra in 2002 starting with ¿Symphony No. 1, Vociferous Th...Expand for more
esis¿, a 40 minute symphony in 4 movements. It was written for full orchestra and I recorded it using Digital Performer with GPO instrument samples.
Then came ¿The Universe Suite¿, a 30 minute composition for orchestra and synthesizers. "The Universe Suite" was used in the Science Fiction Museum and Hall of Fame in Seattle, WA. and heard by a about a million people from June of 2004 through September of 2006.
The next major composition I wrote was a piano concerto cleverly titled ¿Concerto for Piano and Orchestra No. 1¿, and is a 26 minute piano concerto in 3 movements.
In the summer of 2006 I wrote all new orchestral music for the Sci-Fi Museum for when the gallery "The Universe Suite" played in was updated. It played through the end of 2007.
I have always been interested in film scores and it was in the fall of 2004 that I decided to start learning the skills of a film composer. I studied film scoring at the Pacific Northwest Film Score Program in Seattle under Hummie Mann. I scored the film for Scott Golberg called "The Forest Hills". I'm currently working on the score for a short film titled "The Late Sorry".
I was born and raised and still live in Seattle with my family.
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