Louis Osofsky:
CLASS OF 1968
Marina High SchoolClass of 1968
San leandro, CA
Louis's Story
speaking of the between-forest, in the Central Valley, there are two forests which join in me. and yes, the preposition "between" belongs to forests in general. it's what they are about. a forest is what exists between its trees, between its dense undergrowth and its clearings, between all its life cycles and their different time scales, ranging from solar energy to insects that live for a day. a forest is also a meeting place, both physically and metaphorically, between those who enter it and something unnameable and attendant, waiting behind a tree or in the undergrowth. something intangible and within touching distance. neither silent nor audible. it is only visitors who feel this attendant something; those who can read unwritten signs are even more keenly aware of it.
*****
to journey
on the keyboard
thethingsinbetween
they touch
my mind still
~ louis
throughout written time cities have offered shelter, a hiding-place, while also being places in which a wanderer can be ultimately lost. they oblige us to recognize how much is hidden in the framing of silence: that is to say, words interrupt or arrest the flow of time
what am i doing ?
choosing joy;
relishing silence;
not being limited by who i think i am;
learning to trust the natural rhythms of the world;
sleeping most nights;
returning ...Expand for more
to college courses after a 42-year "summer vacation":
graduating spring 2014 semester (it is never too late to have a happy education)
recognizing ahas from the daily writing of Japanese short form poetry :
feeling setbacks are part of the creative process as i listen to the echoes of my internal cadence
considering if what i am about to say will improve upon the silence :
the goal is to live with composure on the full rush of energy
{ if only writing were like food and music with many strands in many layers progressing at once }
[ allowing time to think about :
coming to know fire's fierceness as well as its warmth, wind's wildness and gentle touch, water's turbulence and smoothness, earth's upheaval and dependability; and it's simply part of being human to feel discomfort ]
***
your gallop,
horse, stirring dreams...
painting clouds
~ louis
the year of the horse.
BashÅ (èè) oftentimes used hokku as a greeting
in a space without gravity there is no weight, and my writings are, as it were, weightless in terms of time. it is as if they have been taken between times, where there is none. what is intangible and within touching distance in this story, on this site, may be the presence of a kind of timelessness.
your photos and stories beckon. you may slip between -- but with company
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