Louis Osofsky:  

CLASS OF 1968
Louis Osofsky's Classmates® Profile Photo
Marina High SchoolClass of 1968
San leandro, CA

Louis's Story

speaking of the between-forest, in the Central Valley, there are two forests which join in me. and yes, the preposition "between" belongs to forests in general. it's what they are about. a forest is what exists between its trees, between its dense undergrowth and its clearings, between all its life cycles and their different time scales, ranging from solar energy to insects that live for a day. a forest is also a meeting place, both physically and metaphorically, between those who enter it and something unnameable and attendant, waiting behind a tree or in the undergrowth. something intangible and within touching distance. neither silent nor audible. it is only visitors who feel this attendant something; those who can read unwritten signs are even more keenly aware of it. ***** to journey on the keyboard thethingsinbetween they touch my mind still ~ louis throughout written time cities have offered shelter, a hiding-place, while also being places in which a wanderer can be ultimately lost. they oblige us to recognize how much is hidden in the framing of silence: that is to say, words interrupt or arrest the flow of time what am i doing ? choosing joy; relishing silence; not being limited by who i think i am; learning to trust the natural rhythms of the world; sleeping most nights; returning ...Expand for more
to college courses after a 42-year "summer vacation": graduating spring 2014 semester (it is never too late to have a happy education) recognizing ahas from the daily writing of Japanese short form poetry : feeling setbacks are part of the creative process as i listen to the echoes of my internal cadence considering if what i am about to say will improve upon the silence : the goal is to live with composure on the full rush of energy { if only writing were like food and music with many strands in many layers progressing at once } [ allowing time to think about : coming to know fire's fierceness as well as its warmth, wind's wildness and gentle touch, water's turbulence and smoothness, earth's upheaval and dependability; and it's simply part of being human to feel discomfort ] *** your gallop, horse, stirring dreams... painting clouds ~ louis the year of the horse. Bashō (芭蕉) oftentimes used hokku as a greeting in a space without gravity there is no weight, and my writings are, as it were, weightless in terms of time. it is as if they have been taken between times, where there is none. what is intangible and within touching distance in this story, on this site, may be the presence of a kind of timelessness. your photos and stories beckon. you may slip between -- but with company
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wishing you laughter
* 
the downtrend in social mood fuels the uptrend of authoritarianism – surges in the US security state ~
this we know, that since 2001 the US government has expanded the reach of domestic spying, built on a century of prec
*****
inviting quiet,
my pops could hear the cards 
on the table,
I laughed
for that touch

~ louis

photo : my pops and I [circa 1974]
by Sarah Coito
*****
trying not to look,
I feel something forcing my face
in that direction – 
a smell of clay, like the heat,
slow-spaced waves disappear

~ louis

photo : Jetty Marsh Canal Basin, Stover Canal; Teign Valley; Devon 
by Ut
*
Gabriel García  Marquez, "Leaf Storm and Other Stories” [1979] ~

“… ‘But you’re different. Nobody likes to drive his own nails more than you.  I’ve seen you putting hinges on a door when there are several men working for
*****
moments before 
dawn, my tension a disquiet 
when night sounds stop,  
waters pause, times hesitate, 
the trees sink into silence

~ louis

photo : morning sun, a soaring dune, and the hulks of Camel Thorn trees in Na
*
Reuben Osofsky
31 July 1927 – November 2009

memories and subtle impermanence 

*****
almost touchable
I stop to the left 
of a smell, 
the conveyance in sunset’s light:
illusions and disillusions

~
in the mirror
I saw m
*
skeletal changes taking place during the 50-million-year dinosaur-to-bird transition were occurring four times faster than for dinosaurs as a whole, a new study says
{http://www.dumb-out.net/theropods-birds-ancestors-says
*
application of skill and taste to the production of beauty ~ 

Katherine Dunham (1909 – 2006), best known as a legendary dancer who propelled the awareness of the cultures of the African Diaspora via her choreography, sai
*
Rebecca and I will be in Virginia until late Sunday night attending a wedding, we will “see” you when we return ~

"The troubadours [1100-1350] had many debates as to what the definition of love would be. One of the most
*****
remove from
me, bird, the residue
of sublime… 
an open bloom of
enough, enough

~ louis 

photo : hummingbird in Costa Rican highlands 
by Florian Kuster
*
we're heading to the cabin to reflect : 
"I do not want to see what is shown. I want to see what is secret. What is hidden amongst the visible. I want to see the skin of the light." (Hélène Cixous, "Writing Blind," Eric P
*
Ali Smith, "Artful" [2013] ~

“Edges involve extremes. Edges are borders. Edges are very much about identity, about who you are. Crossing a border is not a simple thing. Geopolitically, getting anywhere around the world i
*****
far afterward 
a morning sun kindles
forested banks,  
when the best is gone, will you 
forget me in foreign lands?

~ louis

photo : Lake Towada in Aomori, Japan, at the base of Mount Hakkoda
by Sho Shibata
*****
the difficult
happiness of being alive, 
no I’s without you’s, 
each face that makes in itself whole   
disappears in the mist 

~ louis

photo : Nepal’s Annapurna Circuit, between Chamie and Tal
by Daniel Hoshizaki
*****
letting my eyes ramble 
while I listen to encounters 
in flight, 
silhouettes that seem 
to have always been with me 

~ louis 

photo : in Linum marshes near Germany, cranes at sunset, migrating from Scandinavia to S
***** 
I have walked  
on dampened forest floors 
where some rugged 
natural terrain spans within:
the tall-one won’t be me

~ louis

photo : Montana’s Glacier National Park
by Gary Migues
*****
less than life 
my tanka follows the time 
of life,
an instant, a short poem, 
to learn some secret

~
to observe 
an observer, to gaze 
into the fire, 
my petrified silence
silences the rage 

~
a point
of tension gi
*
methane "belches" detected on Mars  
{http://www.bbc.com/news/science-environment-30456664}

photo : [circle indicates the Curiosity rover's landing site on Gale Crater]  the rover will spend the next one to three years a
*****
to walk 
even on wood planks,
a bird preserve;
the December light
directs me

~ louis

photo : flowering aquatic vegetation,
The Cosumnes River Preserve, Galt, California [22 Dec 2014]; 3:28pm
by ~ louis
*****
blood to blood, 
the wordless dialogue 
with no sense of distance,
I hear the heart 
of one, of the other  

~ louis

photo : RJ and Marliea
The Cosumnes River Preserve, Galt, California [22 Dec 2014]; 3:33pm 
by ~ lo
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