Stephen Magnotta:  

CLASS OF 1974
Stephen Magnotta's Classmates® Profile Photo
Lansing, MI
Saint Gerard SchoolClass of 1970
Lansing, MI
Lansing, MI

Stephen's Story

I'm not able to read any messages here, but you can find me on Facebook or Stevemagnotta on G mail. - Here's a few memories I have from LCC. First day of freshman year, trying to be cool and not let any fear or confusion show in the midst of the overcrowding and chaos that the brand new combined central school had created. Waiting for a ride in the entrance hallway just outside the offices, I was keeping a safe distance from the crowd as I leaned against a wall. An old man with gray hair walked by and dropped his keys right in front of me. My natural instinct was to bend down and pick them up for him, but I remembered to fight that so I wouldn't seem uncool in this new, older crowd. The old man picked the keys up with a slow slightly pained effort as I stood there and watched. A few days later in an assembly I recognized the old key dropper as the principle of the school, Brother A. He was either too cool to hold it against me or more likely never recognized me from the other 1300+ students. That first year, starting in the fall of 1970 was hard to forget. The two new high schools, opened just 5 and 6 years before had each been built to hold up to 1,000 students, but the closing of O'Rafferty caused a combined enrollment at the new central school of over 1300. The lack of classrooms for the overflow students was partially taken care of by holding classes in the hallways, circles of kids seated in old wooden chairs from St Mary's grade school that were far too small, with one class circle just feet away from the next, three or four circles per hallway. The Model Schools program that we were now guinea pigs for believed that 13 year olds would all do much better if left to their own self motivation and that allowing us to set our own schedules would better prepare us for college. So overcrowding was also alleviated by the lenient attendance policy, allowing the more adventurous of us to study some real world environments far from the crowded halls of the school. Conflict and inconsistency was a part of the era, and the school was a microcosm of that with the idealistic lazier faire teachers who welcomed the model schools program pitted against the remaining traditional old-school staff including the Catholic Brothers who still deeply believed in structure and discipline. Including physical discipline, right up to a point where one side might totally break down. I believe the Brother teaching math was named Brother Charles (although I may be wrong on that name) who challenged a rebellious student in a test of wills that ended in the Brother tossing a chair in a fit of anger in front of a full classroom, breaking down in tears and leaving the room, and the school for the remainder of the year. Can anyone remember who the strong willed student was, Rick Falsetta or one of the Saenz brothers perhaps? There was another conflict settled with a Brother provoked fist fight that left a student bloody, I think that was Mike Hayes and the Brother was the vice principal or school disciplinarian, I can still picture him, he was always wound very tight, but his name has escaped me. But those years were nothing if not inconsistent. Random acts of discipline were mixed with an anything-goes, work at your own pace and we won't hassle you approach from others. This fit my own personality pretty well, not that I was one of the few self-motivated students who completed all the basics in each class and spent the remainder of the year deep in study of their chosen subjects of interest. My days that year were mostly spent in the cafeteria comforted by the juke box where I never tired of Ike & Tina's version of Proud Mary and fortified myself with a diet of ice cream sandwiches from the vending machine. By spring I grew restless enough to venture off campus and often walked down Michigan Avenue and dropped in at Dave West's business where he made custom guitar amps, speakers and PA systems and got him to talk to me about his early days working with Grand Funk, Dick Wagner and ? and the Mysterians back in Flint. He had quite a few stories about the history of Michigan Rock which I was eager to hear about and I studied at the feet of the old master so to speak, although he may not have even been 30 at the time. Another important influence on me that year was at least a part of the schoo...Expand for more
l, although what I learned was not what he was hired to talk about. The band director was fresh out of the military where he had been allowed to play music and entertain the troops, including some time in Viet Nam. This was his first year teaching, I'm not sure what he actually did all day as the band only met one hour a day and there was no other music classes of any type offered. I would not be surprised if the school hired him as a part time employee, I'm sure he was the lowest paid band director in the area considering the school's financial problems and low regard for art and music. He became the band director at Pattengil the next year and I believe wound up at Eastern High School after that. But what concerned me was not his future, or the band at LCC that I was nominally a member of as I was supposed to be finding an instrument to play that year. What fascinated me about the director, Dan McCormick, was his past. Just a few years before this, right before enrolling in the military, Dan was still living in his home town of Muscle Shoals Alabama. And what Muscle Shoals gifted to the world was a tiny little recording studio called FAME Studios, where Dan grew up working as a session player, on both trumpet and keyboards. Some of the greatest music of the sixties was made in that little building, a musical melting pot of country, gospel and blues that became known as soul was created there. Other studios were built there after the initial success of FAME, but Dan was there when it was just reaching it's stride in the mid sixties and had worked with artists such as Wilson Pickett, Solomon Burke, Arthur Alexander and Otis Redding. I never let on that I knew how to play the instruments Dan kept giving me to learn. I did get to keep a large stand up bass for a few months that I used at my home studio, I had already played cello for two years and they basically play the same. For a while he gave me the mouthpiece to a tuba, but that was completely out of the realm of possibilities as far as an instrument I might actually agree to play. The screw ups in the band wound up in the drum and percussion section, so eventually after I wouldn't play any other instrument I got sat with them. As I was the only member who knew how to read music I got the task of playing the hand cymbals, the loud crash I added to some songs needed to be at the right point and was pretty hard to disguise or otherwise shrug off if they came at the wrong time. Dan had plans for turning us into a real marching band the next year so we could play at the football games, that was not going to work with my schedule as my own blues-rock band was playing most Friday and Saturday nights, so I didn't enroll the next year. I don't recall who became the next band director, but they had to try and get by without the addition of my talents, a terrible loss. That summer I produced some recording sessions at the local professional studio where Motown sent some acts when their own studio was booked and where just a few months before Chuck Berry had made an album for Chess. I was recording a band that I had worked with for years at my home studio, but this was the big league. So I found Dan's home phone number some how and asked him to come and play keyboards for the sessions. He put a perfect soulful and mysterious organ track on the song for us and I did my best to encourage the owner of the studio to give Dan any studio work that might ever come up. That freshman year started off in chaos in September of 1970 and by June 1971 deteriorated into a ship sinking so low that even the former O'Rafferty principle Billy Conn allowed his son to leave and transfer to Waverly. The two local high schools had just been combined due to a financial crisis and we all thought that the main reason we had been sacrificed as guinea pigs for that experiment in education was to get federal funding. Years later I shared Easter dinner at Mr Conn's home and he admitted as the Lansing Diocese business director he had written the proposal to put us in the Model Schools program. And that we actually did not receive any money for that, he just thought it was a good plan and wanted us to be a part of it. Our 9th grade class at the start of that fall 1970 was over 330 students. One year later the returning sophomore class enrollment was 68.
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Photos

grad portrait
1980 Tuscon Arizona
1974 Graduation
1975 Miami Florida
1994 WKAR TV Studio
Jan 1 1988 Rose Bowl
1992 Senator Howard Metzenbaum
Summer 1971
1993 Michelangelo's Restaurant
2003 Lansing Michigan
1974 Winter, LCC Cafeteria
1989 - NYC
January 1979 Marquette Michigan
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